"Suite gothique, Op. 25: III. Prière à Notre-Dame" by Léon Boëllmann, Ian Tracey was released on November 16, 2008. With this song being around four minutes long, at 3:41, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Organ Music from St. Jude's Church, Southsea". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Suite gothique, Op. 25: III. Prière à Notre-Dame is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Suite gothique, Op. 25: III. Prière à Notre-Dame by Léon Boëllmann, Ian Tracey having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dvořák: The Water Goblin, Op. 107, B. 195: I. Allegro vivo | Antonín Dvořák, Sir Simon Rattle, Berliner Philharmoniker | E Minor | 0 | 9A | 141 BPM | ||
Grande Messe des Morts: XXIII. Agnus Dei: Moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 0 | 5A | 132 BPM | ||
Prelude and Fugue on B-A-C-H | Franz Liszt, Martin Schellenberg | G Major | 1 | 9B | 141 BPM | ||
Requiem, K. 626: Hostias | Wolfgang Amadeus Mozart, Stephen Cleobury, Choir of King's College, Cambridge, Academy of Ancient Music | E♭ Major | 1 | 5B | 96 BPM | ||
Gothic Suite Op 25: Menuet gothique | Léon Boëllmann, William McVicker | C Major | 1 | 8B | 176 BPM | ||
Piano Quartet in F Minor, Op. 10: III. Andante | Léon Boëllmann, Bela Banfalvi, Karoly Botvay, János Fehérvári, Ilona Prunyi | F Major | 1 | 7B | 89 BPM | ||
Requiem in C Minor: Introitus - Kyrie | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Minor | 0 | 5A | 57 BPM | ||
Preludium Des-Dur Op. 28 Nr 15 | Frédéric Chopin, Gedymin Grubba | D♭ Major | 0 | 3B | 76 BPM | ||
Widor : Toccata in F major | Charles-Marie Widor, Kalevi Kiviniemi | F Major | 3 | 7B | 62 BPM | ||
Requiem, Op. 48: I. Introït | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | B♭ Major | 0 | 6B | 71 BPM |
Section: 1.003777265548706
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