"Sonata for Viola and Piano: II. Vivace" by Rebecca Clarke, Martin Ruman, Alena Hučková was released on September 19, 2019. With this song being around four minutes long, at 4:04, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Rebecca Clarke, Martin Ruman, Alena Hučková's "I’ll Bid My Heart Be Still" album is number 2 out of 9. On top of that, Slovakia appears to be the country where this track was created. Sonata for Viola and Piano: II. Vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sonata for Viola and Piano: II. Vivace by Rebecca Clarke, Martin Ruman, Alena Hučková to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite populaire espagnole (Arr. for Cello & Piano): III. Canción | Manuel de Falla, Duo Arnicans | G Major | 1 | 9B | 89 BPM | ||
Poem I | Gillian Pereira, Sally Greenaway | G Major | 2 | 9B | 79 BPM | ||
Suite for Viola & Small Orchestra: I. Prelude | Ralph Vaughan Williams, Helen Callus, New Zealand Symphony Orchestra, Marc Decio Taddei | C Major | 0 | 8B | 91 BPM | ||
Five Melodies, Op. 35b: IV. Allegretto leggero e Scherzando | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 2 | 10B | 78 BPM | ||
Romeo and Juliet, Op. 64: The Montagues and Capulets | Sergei Prokofiev, Benjamin Beck, Marie Rosa Günter | E Minor | 0 | 9A | 99 BPM | ||
Shadows on the Abandoned Street: Second Movement | Shota Ikeda | D Minor | 4 | 7A | 128 BPM | ||
Sonata for Violin and Piano in A: 1. Allegretto ben moderato | César Franck, Kaja Danczowska, Krystian Zimerman | F♯ Minor | 1 | 11A | 145 BPM | ||
Jocelyn (Berceuse) | Benjamin Godard, Louise-Andrée Baril, Thérèse Motard | F Major | 0 | 7B | 125 BPM | ||
8 Pieces, Op. 39: No. 4. Canzonetta | Reinhold Glière, Felix Froschhammer, Florian Rohn | B♭ Major | 2 | 6B | 121 BPM | ||
Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante | Franz Anton Hoffmeister, John Mills, Bozidar Vukotic | A Minor | 1 | 8A | 144 BPM |
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