Franz Anton Hoffmeister, John Mills, Bozidar Vukotic made "Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante" available on April 1, 2016. With this song being about 5 minutes long, at 5:13, "Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante" by Franz Anton Hoffmeister, John Mills, Bozidar Vukotic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in John Mills, Bozidar Vukotic's "Hoffmeister & Beethoven: Duos for Violin & Cello" album is number 4 out of 15. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Duet for Violin & Cello in F Major, Op. 6 No. 2: I. Andante by Franz Anton Hoffmeister, John Mills, Bozidar Vukotic to be Allegro (fast, quick, and bright) because the track has a tempo of 144 BPM, a half-time of 72BPM, and a double-time of 288 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Concerto in B-Flat Major: III. Rondo: Allegro | Franz Anton Hoffmeister, Ashan Pillai, The Gulbenkian Orchestra, Christopher Hogwood | B♭ Major | 1 | 6B | 83 BPM | ||
Overture in G Major, Op. 8, No. 5: III. Allegro | Samuel Arnold, Toronto Chamber Orchestra, Kevin Mallon | G Major | 2 | 9B | 68 BPM | ||
Clarinet Concerto No. 5 in B-Flat Major: II. Adagio | Carl Stamitz, Paul Meyer, Kurpfälzisches Kammerorchester, Johannes Schlaefli | B♭ Major | 0 | 6B | 132 BPM | ||
L'Amant anonyme, Act II Scene 5: Ballet (4) | Joseph Bologne Chevalier de Saint-Georges, Haymarket Opera Company, Craig Trompeter | D Major | 1 | 10B | 136 BPM | ||
Primavera-花降る日 | 冬野ユミ | C Major | 1 | 8B | 170 BPM | ||
Serenade in C Major, Op. 10: IV. Tema con variazioni: Andante con moto | Ernst von Dohnányi, Laszlo Barsony, Dénes Kovács, Karoly Botvay | C Major | 1 | 8B | 133 BPM | ||
Septet in E-Flat Major, Op. 20: VI. Andante con moto alla marcia - Presto | Ludwig van Beethoven, József Balogh, Jozsef Vajda, Jeno Kevehazi, Ildiko Hegyi, Gyözö Máthé, Péter Szabó, Istvan Toth | E♭ Major | 1 | 5B | 91 BPM | ||
La bergère châtelaine, S. 5 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | B♭ Major | 1 | 6B | 127 BPM | ||
Sinfonía 39 Simbad el marino: 3. La isla de diamantes | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 94 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM |
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