"Es waren zwei Königskinder, WoO VI/11, No. 8" by Max Reger, Huelgas Ensemble, Paul Van Nevel was released on April 19, 2024. With this song being about 5 minutes long, at 4:37, "Es waren zwei Königskinder, WoO VI/11, No. 8" by Max Reger, Huelgas Ensemble, Paul Van Nevel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Max Reger, Huelgas Ensemble, Paul Van Nevel's "Max Reger: Melancholy (Vocal Works)" album is number 2 out of 13. On top of that, Germany appears to be the country where this track was created. Es waren zwei Königskinder, WoO VI/11, No. 8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Es waren zwei Königskinder, WoO VI/11, No. 8 by Max Reger, Huelgas Ensemble, Paul Van Nevel to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): Kyrie | Joseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen Burdick | B♭ Major | 2 | 6B | 99 BPM | ||
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | F Major | 2 | 7B | 98 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM | ||
Variation 6: Sostenuto (quasi adagietto) | Max Reger, New Zealand Symphony Orchestra, Franz-Paul Decker | D Major | 1 | 10B | 74 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Reger: Clarinet Quintet in A Major, Op. 146: I. Moderato ed amabile | Max Reger, Sabine Meyer, Erich Höbarth, Peter Matzka, Thomas Riebl, Rudolf Leopold | A Major | 1 | 11B | 85 BPM | ||
Double Concerto in E Minor, Op. 88: I. Andante con Moto | Max Bruch, Copenhagen Phil, Vincenzo Milletarí, Giovanni Punzi, Eva Katrine Dalsgaard | D♭ Minor | 0 | 12A | 99 BPM |
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