Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Irmgard Seefried's 'Bei Männern, welche Liebe fühlen (Pamina / Papageno)' came out on November 6, 2013. With Bei Männern, welche Liebe fühlen (Pamina / Papageno) being less than two minutes long, at 1:50, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker's "La flûte enchantée" album is number 10 out of 20. In terms of popularity, Bei Männern, welche Liebe fühlen (Pamina / Papageno) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Bei Männern, welche Liebe fühlen (Pamina / Papageno) by Valérie Karsenti, Herbert von Karajan, Wiener Philharmoniker, Irmgard Seefried to be Andante (at a walking pace) because the track has a tempo of 104 BPM, a half-time of 52BPM, and a double-time of 208 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Zauberflöte, K. 620 / Act 2: "Der Hölle Rache kocht in meinem Herzen" | Wolfgang Amadeus Mozart, Albina Shagimuratova, Jory Vinikour, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 3 | 7B | 142 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Et tu prétends encore | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Franco Bonisolli, Walton Groenroos | C Minor | 3 | 5A | 84 BPM | ||
Bizet: Carmen: Avec la garde montate - Act One | Georges Bizet, Covent Garden Chorus, Richard van Allan, Thomas Allan, Plácido Domingo, Sir Georg Solti | F Major | 3 | 7B | 113 BPM | ||
Emma, ou la promesse imprudente, S. 6 (Excerpts): Entr'acte to Act III | Daniel Auber, Czech Philharmonic Chamber Orchestra, Dario Salvi | D Major | 0 | 10B | 96 BPM | ||
Alceste (Sung in French), Act III: Act III: Trio: Recois, Dieu bienfaisant (Alcestis, Admetus, Hercules) | Christoph Willibald Gluck, Jessye Norman, Nicolai Gedda, Bernd Weikl, Bavarian Radio Symphony Orchestra, Serge Baudo | C Major | 2 | 8B | 65 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Recitative and Arioso: Sous cette voute de feuillage ... (Under this foliage tent, Zelis ...) (Elzire, Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM | ||
Sarabande et rigaudon, Op. 93: Rigaudon | Camille Saint-Saëns, Orchestre National de Lille, Jun Markl | E Major | 2 | 12B | 121 BPM | ||
Symphony No. 45 in F-Sharp Minor, Hob.I:45 "Farewell": IV. Finale: Presto - Adagio | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | G Major | 2 | 9B | 73 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Stabat mater, op.58: 5. Coro "Tui nati vulnerati" | Antonín Dvořák, Chor der Sächsischen Staatsoper Dresden; see Dresden State Opera Chorus, Matthias Brauer, Staatskapelle Dresden, Giuseppe Sinopoli | D Major | 1 | 10B | 147 BPM |
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