"Britten: War Requiem, Op. 66: XII. Dies irae - "Move Him into the Sun" (Tenor, Soprano, Chorus)" by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra had its release date on June 12, 2017. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. The song is number 12 out of 20 in Britten: War Requiem by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Saint Lucia. In terms of popularity, Britten: War Requiem, Op. 66: XII. Dies irae - "Move Him into the Sun" (Tenor, Soprano, Chorus) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Britten: War Requiem, Op. 66: XII. Dies irae - "Move Him into the Sun" (Tenor, Soprano, Chorus) by Benjamin Britten, Lorin Maazel, Munich Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 98 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Britten: A Suite on English Folk Tunes, Op. 90 "A Time There Was": II. The Bitter Withy | Benjamin Britten, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | C Major | 1 | 8B | 60 BPM | ||
The Fairy Queen, Z.629 - Ed. Britten, Holst, Pears / Act 1: Symphony | Henry Purcell, English Chamber Orchestra, Benjamin Britten | D Major | 3 | 10B | 81 BPM | ||
Soirees musicales, Op. 9: I. March | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | B♭ Major | 1 | 6B | 124 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von der großen Sehnsucht | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 105 BPM | ||
Handel in the Strand, RMTB 2a | Percy Grainger, Richard Hickox, BBC Philharmonic | G Major | 1 | 9B | 112 BPM | ||
Romeo and Juliet, Op. 64: Introduction | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 112 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM |