Nicol Matt, Nordic Chamber Choir, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Johann Sebastian Bach, Robert Sagasser, Martina Rotbauer, Jörg Halobek, Jens Wollenschläger, Heike Hümmer's 'Freuet Euch, Ihr Christen Alle, Cantate Bwv 40' came out on March 28, 2007. The duration of Freuet Euch, Ihr Christen Alle, Cantate Bwv 40 is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Freuet Euch, Ihr Christen Alle, Cantate Bwv 40's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, Freuet Euch, Ihr Christen Alle, Cantate Bwv 40's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Freuet Euch, Ihr Christen Alle, Cantate Bwv 40 by Nicol Matt, Nordic Chamber Choir, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Johann Sebastian Bach, Robert Sagasser, Martina Rotbauer, Jörg Halobek, Jens Wollenschläger, Heike Hümmer is Allegro (fast, quick, and bright), since this song has a tempo of 126 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Meine Seele Erhebt Den Herren, Cantate Bwv 10 | Nicol Matt, Martina Rotbauer, Heike Hümmer, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Nordic Chamber Choir, Jens Wollenschläger, Jörg Halobek, Robert Sagasser, Johann Sebastian Bach | D♭ Minor | 2 | 12A | 68 BPM | ||
Herz und Mund und Tat und Leben, BWV 147: II. Rezitativ accompagnato (Tenor) - Gebenedeiter Mund! - Live | Johann Sebastian Bach, Rudolf Lutz, Chor der J. S. Bach-Stiftung, Orchester der J. S. Bach-Stiftung, Jakob Pilgram | E Major | 2 | 12B | 87 BPM | ||
Bach, JS: Mass in B Minor, BWV 232: Et expecto | Johann Sebastian Bach, Nikolaus Harnoncourt, Chorus Viennensis, Vienna Boys' Choir, Concentus Musicus Wien | B♭ Minor | 1 | 3A | 81 BPM | ||
Ermuntre Dich, Mein Schwacher Geist, Weihnachtsoratorium Bwv 248 | Nicol Matt, Ute Petersilge, Nordic Chamber Choir, Heike Hümmer, Robert Sagasser, Jörg Halobek, Jens Wollenschläger, Soloist Of The Freiburger Barockorchester, Martina Rotbauer, Johann Sebastian Bach | F♯ Major | 3 | 2B | 81 BPM | ||
II. Himmelskönig, Sei Willkommen BWV 182, Choral (Coro): Jesu, Deine Passion | Pieter Jan Leusink, Sytse Buwalda, Knut Schoch, Anneke Boeke, Holland Boys Choir; Netherlands Bach Collegium, Ruth Holton, John Wilson Meyer, Bas Ramselaar, Johann Sebastian Bach | D Major | 1 | 10B | 83 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 2. Coro (Versus I): Christ Lag In Todes Banden | Holland Boys Choir, Netherlands Bach Collegium, Bas Ramselaar, Sytse Buwalda, Nico Van Der Meel, Johann Sebastian Bach, Ruth Holton, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 33. Evangelista, Testis I & II, Pontifex "Und wiewohl viel falsche Zeugen herzutraten" | Johann Sebastian Bach, Collegium Vocale Gent, Andreas Scholl, Ian Bostridge, Frits Vanhulle, Philippe Herreweghe, Werner Güra | F♯ Minor | 1 | 11A | 92 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 39b, Chorale: Dir, dir Jehova, will ich singen, BWV 299 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto, Hiroya Aoki, Shimon Yoshida, Dominik Worner | E♭ Minor | 2 | 2A | 74 BPM | ||
Passionsoratorium, BWV Anh. 169 (Reconstructed by Alexander Grychtolik), Pt. I: No. 8. Aria, "Verdammter Verräter, wo hast du dein Herze" (Petrus) | Johann Sebastian Bach, Christian Friedrich Henrici, Il Gardellino, Alexander Grychtolik, Jonathan Sells | A♭ Minor | 2 | 1A | 96 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. No. 19 Herr Jesu Christ, wahr' Mensch und Gott, BWV 127/1 (Variante) | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM |
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