"Meine Seele Erhebt Den Herren, Cantate Bwv 10" by Nicol Matt, Martina Rotbauer, Heike Hümmer, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Nordic Chamber Choir, Jens Wollenschläger, Jörg Halobek, Robert Sagasser, Johann Sebastian Bach was released on March 28, 2007. With Meine Seele Erhebt Den Herren, Cantate Bwv 10 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 37 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Meine Seele Erhebt Den Herren, Cantate Bwv 10 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Meine Seele Erhebt Den Herren, Cantate Bwv 10 by Nicol Matt, Martina Rotbauer, Heike Hümmer, Soloist Of The Freiburger Barockorchester, Ute Petersilge, Nordic Chamber Choir, Jens Wollenschläger, Jörg Halobek, Robert Sagasser, Johann Sebastian Bach is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in C Major for Two Oboes and Strings, Op. 7 No. 2: I. Allegro | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Kammerorchester, Nicol Matt | C Major | 3 | 8B | 105 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Toccatina sopra la ribellione di Ungheria: IV. Sarabande: La sentence | Alessandro Poglietti, Isolde Ahlgrimm | E Minor | 3 | 9A | 67 BPM | ||
Görlitzer Tabulaturbuch: Gelobet seist du, Jesu Christ, SSWV 442a | Samuel Scheidt, Christoph Lehmann | A Major | 0 | 11B | 67 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Sinfonia in D Major, (G. 4): I. Presto | Giuseppe Torelli, Thomas Hammes, European Chamber Soloists, Nicol Matt | D Major | 4 | 10B | 142 BPM | ||
Israel in Egypt, HWV 54: Part III, Moses Song: The earth swallowed them (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
Missa in D-Dur, KV194: Agnus Dei | Chor und Orchester von St. Augustin, Klemens Sander, Cornelia Horak, Andreas Pixner, Martina Steffl, Alexander Kaimbacher | D Major | 1 | 10B | 99 BPM | ||
Mass No. 2 in F Major, Hob.XXII:1, "Missa brevis": Agnus Dei | Joseph Haydn, Trinity Church Choir, New York, Rebel Baroque Orchestra, Owen Burdick | A Minor | 3 | 8A | 96 BPM | ||
Introduzione | Franz Joseph Haydn, Edoardo Bellotti, Maurizio Salerno | A Major | 1 | 11B | 81 BPM |
Section: 0.6115624904632568
End: 0.6166160106658936