"The Seasons: No. 1, White Scenery" by Pēteris Vasks, Reinis Zariņš was released on May 6, 2022. Since The Seasons: No. 1, White Scenery is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Vasks: Piano Works by Pēteris Vasks, Reinis Zariņš. The song's track number on the album is #6 out of 9 tracks. Based on our data, Finland was the country where this track was produced or recorded. The Seasons: No. 1, White Scenery is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Seasons: No. 1, White Scenery by Pēteris Vasks, Reinis Zariņš has a tempo of 63 beats per a minute, the tempo markings of this song would be Larghetto (rather broadly). With The Seasons: No. 1, White Scenery being at 63 BPM, the half-time would be 32 BPM with a double-time of 126 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere, Op. 44: 11. Miserere nobis - Lento, tranquilissimo, cantabilissimo, dolcissimo | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | A Minor | 0 | 8A | 129 BPM | ||
24 Preludes for Violin and Piano, Op. 46: No. 15 Adagio sognando | Lera Auerbach, Daniel Hope, Jacques Ammon | A♭ Major | 0 | 4B | 72 BPM | ||
Crisantemi for string orchestra | Giacomo Puccini, London Symphony Orchestra, Antonio Pappano | F♯ Minor | 0 | 11A | 101 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | ||
Violin Partita No. 2 in D Minor, BWV 1004: I. Allemande | Johann Sebastian Bach, Hilary Hahn | D Minor | 1 | 7A | 76 BPM | ||
Suite in G Major: II. Andante | Ignacy Jan Paderewski, Capella Bydgostiensis, Mariusz Smolij | G Major | 1 | 9B | 152 BPM | ||
Daphnis et Chloé, M. 57, Tableau I: Lever du jour | Maurice Ravel, Orchestre Philharmonique Du Luxembourg, Gustavo Gimeno | E Minor | 0 | 9A | 88 BPM | ||
Materna Requiem: 1. Introit | Rebecca Dale, Louise Alder, Trystan, Edward Hyde, Kantos Chamber Choir, Dave Hinitt, Royal Liverpool Philharmonic Orchestra, Clark Rundell | A Minor | 1 | 8A | 109 BPM | ||
Cycle: II. Nocturne | Pēteris Vasks, Reinis Zariņš | G Minor | 0 | 6A | 173 BPM | ||
Missa Papae Marcelli: 1. Kyrie | Giovanni Pierluigi da Palestrina, Sistine Chapel Choir, Massimo Palombella | A Major | 2 | 11B | 130 BPM |
Section: 0.6385059356689453
End: 0.6436641216278076