Pyotr Ilyich Tchaikovsky, Wiener Symphoniker, Edouard Van Remoortel's 'La Belle au bois dormant, Op. 66 ; TH 13, Act. III, No. 24: Le Chat botté' came out on March 29, 2024. With La Belle au bois dormant, Op. 66 ; TH 13, Act. III, No. 24: Le Chat botté being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 16 in the song's album "Tchaïkovski pour les petits maestros". In this album, this song's track order is #11. Furthermore, we believe that the track originated from France. In terms of popularity, La Belle au bois dormant, Op. 66 ; TH 13, Act. III, No. 24: Le Chat botté is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Belle au bois dormant, Op. 66 ; TH 13, Act. III, No. 24: Le Chat botté by Pyotr Ilyich Tchaikovsky, Wiener Symphoniker, Edouard Van Remoortel having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 4 in D Minor, Op. 120: II. Romanze. Ziemlich langsam (Excerpt) | Robert Schumann, Stuttgart Radio Symphony Orchestra, Sir Neville Marriner | A Minor | 0 | 8A | 86 BPM | ||
Mercure: VI. Danse des Grâces | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM | ||
Túria (Agua salvaje) | Gabriel Andrés Gallegos, Budapest Art Orchestra | D Minor | 0 | 7A | 144 BPM | ||
La sirenita: 2. En la superficie | Juan Pablo Fernández Ramos | F Major | 1 | 7B | 70 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
Concerto for Flute and Orchestra: II. Andante | Jacques Ibert, Sami Junnonen, Helsinki Chamber Orchestra, James S. Kahane | D♭ Major | 0 | 3B | 67 BPM | ||
Variations on a Theme by Frank Martin, Op. 105: Var. 2, Adagio | Arnold Rosner, London Philharmonic Orchestra, Nick Palmer | C Minor | 1 | 5A | 136 BPM | ||
Spohr: Symphonie Concertante for Violin, Harp and Orchestra in G Major, WoO 13 - II. Adagio | Louis Spohr, María Dueñas, Volker Kempf, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 92 BPM | ||
String Quartet No. 1 "Métamorphoses nocturnes": Andante tranquillo | György Ligeti, The Verona Quartet | G Major | 0 | 9B | 86 BPM | ||
Les Heures persanes (Persian Hours), Op. 65bis: IX. Aubade (Morning Song) | Charles Koechlin, Stuttgart Radio Symphony Orchestra, Heinz Holliger | B♭ Minor | 0 | 3A | 86 BPM |
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