Jan Antonín Losy, Joachim Held made "Suite in F Major: VIII. Guige" available on January 1, 2005. With Suite in F Major: VIII. Guige being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Joachim Held's "Held, Joachim: Baroque Lute Music From the Lands of the Habsburgs" album is number 30 out of 31. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Suite in F Major: VIII. Guige is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Suite in F Major: VIII. Guige by Jan Antonín Losy, Joachim Held to be Moderato (at a moderate speed) because the track has a tempo of 116 BPM, a half-time of 58BPM, and a double-time of 232 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Capirola : Qui tollis peccata mundi | Heringman | A Major | 0 | 11B | 76 BPM | ||
Aurora Corrente. Capricci a Due Stromenti | Bellerofonte Castaldi, Dolce Rima, Paula Brieba del Rincón | G Major | 0 | 9B | 111 BPM | ||
Piangono al pianger mio | Sigismondo D'India, Cappella Mediterranea, Leonardo García-Alarcón, Mariana Flores | B♭ Minor | 0 | 3A | 110 BPM | ||
Trio Sonata in G Minor, RV 85: II. Larghetto (Arr. for Baroque Ensemble by Wolfgang Katschner) | Antonio Vivaldi, Lautten Compagney, Wolfgang Katschner | G Minor | 4 | 6A | 151 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Manuscrit Panmure: Allemande in D Minor | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Minor | 2 | 12A | 141 BPM | ||
The Little Consort, Suite No. 10 in D Minor and D Major: III. Courante | Matthew Locke, Phantasm, Elizabeth Kenny | D♭ Major | 1 | 3B | 86 BPM | ||
Guitar Sonata No. 27 in A Major, MS 84 - Guitar Sonata No. 28 in G Major, MS 84 | Niccolò Paganini, Mauro Bonelli | E♭ Major | 2 | 5B | 121 BPM | ||
The Flat Pavan | John Johnson, Ronn McFarlane, William Simms | C Major | 2 | 8B | 94 BPM | ||
Tres libros de música en cifra para vihuela - Libro 1: No. 13. Romenesca "O guárdame las vacas" (en cinco maneras) | Alonso Mudarra, Toyohiko Satoh | C Minor | 1 | 5A | 92 BPM |
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