Carl Orff, Eduardo Mata, London Symphony Orchestra's 'Fortuna imperatrix mundi: O Fortuna' came out on December 12, 2008. The duration of Fortuna imperatrix mundi: O Fortuna is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Fortuna imperatrix mundi: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Various Artists's "J'aime pas le classique mais ca j'aime bien" album is number 2 out of 45. Based on our statistics, Fortuna imperatrix mundi: O Fortuna's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fortuna imperatrix mundi: O Fortuna by Carl Orff, Eduardo Mata, London Symphony Orchestra to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op. 20: Op. 20: Act IV No. 29, Scène Finale | Pyotr Ilyich Tchaikovsky, Orchestra of the Royal Opera House, Covent Garden, Mark Ermler | B Major | 4 | 1B | 113 BPM | ||
Omnia tempus habent für gemischten Chor, Pauken und kleine Trommel, Stücke für Sprechchor, Carl Orff 1969 | Carl Orff, Sonja Korkeala, Carolin Widmann, Karl Peinkofer, Andreas Schumacher, Markus Zahnhausen, Wilfried Hiller, Martin Ruhland, Godela Orff, Max Frey | D Major | 3 | 10B | 98 BPM | ||
Haydn: String Quartet in C Major, Op. 76 No. 3, Hob. III:77 "Emperor": II. (a) Poco adagio, cantabile | Franz Joseph Haydn, Alban Berg Quartett | B♭ Major | 1 | 6B | 101 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): I. O Fortuna, velut Luna (Oh Fortune, variable as the moon) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | B♭ Major | 2 | 6B | 150 BPM | ||
The Firebird: Scene 1: The Firebird's Lullaby | Igor Stravinsky, City Of Birmingham Symphony Orchestra, Andris Nelsons | B Major | 0 | 1B | 117 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
Das Rheingold: Scene 4: Entry of the Gods into Valahlla | Richard Wagner, Sofia Symphony Orchestra, Vassil Kazandjiev | D♭ Major | 0 | 3B | 87 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel | D Minor | 2 | 7A | 135 BPM | ||
Le Carnaval des Animaux, R. 125: Akvarium | Camille Saint-Saëns, Pittsburgh Symphony Orchestra, André Previn | A Minor | 0 | 8A | 82 BPM |
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