Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel's 'Carmina Burana: O Fortuna' came out on January 1, 1991. The duration of Carmina Burana: O Fortuna is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Carmina Burana: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff, C.: Carmina Burana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Carmina Burana: O Fortuna's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmina Burana: O Fortuna by Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wer zum ersten Male liebt (Heine): Mir traumte von einem Konigskind' | Rued Langgaard, Anne Margrethe Dahl | F Major | 0 | 7B | 67 BPM | ||
Carmina Burana: Dies, nox et omnia | Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel | E♭ Major | 2 | 5B | 75 BPM | ||
Schindler's List - Theme | New World Philharmonic Orchestra, Tasmin Little, Ian Sutherland | D Minor | 1 | 7A | 92 BPM | ||
L'Estro Armonico, Op. 3 - Concerto No. 9 in D Major for Violin and Strings, RV 230: I. Allegro | Janacek Chamber Orchestra, Bohuslav Matousek | D Major | 4 | 10B | 103 BPM | ||
Galop Infernal (Can-Can) - De La Opera "Orfeo En Los Infiernos" | Jacques Offenbach, Inma Shara | D Major | 4 | 10B | 74 BPM | ||
Antikrist: Act I: Prelude to Scene 2 | Rued Langgaard, Sten Byriel, Anne Margrethe Dahl, Poul Elming, Helene Gjerris, Johnny Van Hal, Jon Ketilsson, John Lundgren, Camilla Nylund, Susanne Resmark, Morten Suurballe, Danish National Choir, Danish National Symphony Orchestra, Thomas Dausgaard | F Major | 2 | 7B | 65 BPM | ||
Pavane, Op. 50 - Excerpt | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | D Major | 0 | 10B | 130 BPM | ||
Symphony No. 40 in G Minor, KV. 550: I. Molto allegro | SWF Symphony Orchestra Baden-Baden | G Minor | 2 | 6A | 105 BPM | ||
Rodrigo: Concierto de Aranjuez: II. Adagio (Excerpt, Opening) | Joaquín Rodrigo, Julian Bream, Sir Simon Rattle, City Of Birmingham Symphony Orchestra | B Minor | 0 | 10A | 144 BPM | ||
Mozart: Requiem in D Minor, K. 626: III. Dies irae | Nikolaus Harnoncourt, Vienna State Opera Chorus | G Minor | 4 | 6A | 77 BPM |
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