Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel's 'Carmina Burana: O Fortuna' came out on January 1, 1991. The duration of Carmina Burana: O Fortuna is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Carmina Burana: O Fortuna's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff, C.: Carmina Burana". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Denmark. Based on our statistics, Carmina Burana: O Fortuna's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmina Burana: O Fortuna by Carl Orff, Anne Margrethe Dahl, Blazej Grek, Jan Wolanski, Artur Rubinstein Philharmonic Choir, Arthur Rubinstein Philharmonic Orchestra, Ilya Stupel having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
協奏曲集「四季」より「秋」/第3楽章(『007/美しき獲物たち』より) | ライナー・クスマウル, シュトゥットガルト室内管弦楽団, マルティン・ジーグハルト | D♭ Major | 0 | 3B | 68 BPM | ||
Allegro Con Fouco | Orquesta Filarmónica de Viena | E Minor | 1 | 9A | 137 BPM | ||
Wer zum ersten Male liebt (Heine): Ein Fichtenbaum | Rued Langgaard, Anne Margrethe Dahl | F Minor | 1 | 4A | 165 BPM | ||
Symphony No.9 in D minor, Op.125 - "Choral" - 4.: "O Freunde nicht diese Töne" - | Ludwig van Beethoven, Jessye Norman, Reinhild Runkel, Robert Schunk, Hans Sotin, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 4 | 9B | 63 BPM | ||
Waltz from Maskarade | Radio Orchestra Berlin | C Major | 5 | 8B | 97 BPM | ||
The Magic Flute, K. 620: Act II, No. 17. Aria: "Ach ich fühl's, es ist verschwunden" | Rundfunkorchester des Südwestfunks Baden-Baden | G Minor | 1 | 6A | 182 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Vita Nostra | Ennio Morricone | D Major | 4 | 10B | 103 BPM | ||
III. The Flight of the Bumble-Bee | Gerhard Wiesenhütter, Leipzig Gewandhaus Orchestra | G Minor | 2 | 6A | 169 BPM | ||
Il Barbiere di Siviglia: Largo al factotum | Gioachino Rossini, Riccardo Chailly, Leo Nucci, Orchestra Del Teatro Alla Scala, Milano | C Major | 3 | 8B | 71 BPM |
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