George Frideric Handel, Ensemble Zefiro, Alfredo Bernardini made "Water Musick, Suite No. 2 in D Major & Suite No. 3 in G Major, HWV 349-350: IV. Aria 1 & 2" available on 2003. The duration of Water Musick, Suite No. 2 in D Major & Suite No. 3 in G Major, HWV 349-350: IV. Aria 1 & 2 is about 3 minutes long, at 3:10. Based on our data, "Water Musick, Suite No. 2 in D Major & Suite No. 3 in G Major, HWV 349-350: IV. Aria 1 & 2" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ensemble Zefiro, Alfredo Bernardini's "Handel: Water Musick - Telemann: Wassermusik" album is number 24 out of 29. On top of that, France appears to be the country where this track was created. In terms of popularity, Water Musick, Suite No. 2 in D Major & Suite No. 3 in G Major, HWV 349-350: IV. Aria 1 & 2 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Water Musick, Suite No. 2 in D Major & Suite No. 3 in G Major, HWV 349-350: IV. Aria 1 & 2 by George Frideric Handel, Ensemble Zefiro, Alfredo Bernardini to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony for Flute, Oboe, Horn and Strings in D Major: III. Presto | Domenico Cimarosa, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 78 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano | George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 1 | 6A | 169 BPM | ||
Harp Concerto in A major: 3. Rondeau: Allegretto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | A Major | 1 | 11B | 97 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Rinaldo, HWV 7b: Act I: Overture | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | D Major | 7 | 10B | 126 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Elgar / Transc. Walter: Salut d'amour, Op. 12 | Edward Elgar, Gautier Capuçon, Deborah Nemtanu, Douglas Boyd, Orchestre de chambre de Paris | E Major | 1 | 12B | 83 BPM |
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