Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 28.3 - Wie Google tickt - How Google Works" available on January 8, 2015. With Kapitel 28.3 - Wie Google tickt - How Google Works being less than two minutes long, at 1:40, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #59 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Based on our statistics, Kapitel 28.3 - Wie Google tickt - How Google Works's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 28.3 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 125 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Kapitel 28.3 - Wie Google tickt - How Google Works being at 125 BPM, the half-time would be 62 BPM with a double-time of 250 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O magnum mysterium: I. O magnum mysterium | Peter Maxwell Davies, Howard Arman, Bavarian Radio Chorus | F♯ Major | 1 | 2B | 110 BPM | ||
Kapitel 29.3 & Kapitel 30.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth | F♯ Major | 2 | 2B | 85 BPM | ||
HFTEPX | KNOXVILLETRACKZ | D Minor | 0 | 7A | 65 BPM | ||
Strauss, R: 8 Lieder, Op. 49: No. 1, Waldseligkeit | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM | ||
Fauré: Requiem, Op. 48: V. Agnus Dei | Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra | G Major | 3 | 9B | 100 BPM | ||
Concert: II. Allegro | Eric Schmidt, Geneva Brass Quintet, Vincent Thévenaz | C Major | 2 | 8B | 126 BPM | ||
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Die sieben Worte Christi am Kreuz für Soli, Chor und Orchester: Mulier, ecce filius tuus | César Franck, Chor Der Philharmonie Schwäbisch Gmünd, Edith Wiens, Hubert Beck, Ivo Ingram, Philharmonie Schwäbisch Gmünd, Raimundo Mettre, Thomas Pfeiffer | F Major | 1 | 7B | 75 BPM |
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