Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth made "Kapitel 29.3 & Kapitel 30.1 - Wie Google tickt - How Google Works" available on January 8, 2015. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg. The song's track number on the album is #63 out of 208 tracks. Based on our data, Germany was the country where this track was produced or recorded. Kapitel 29.3 & Kapitel 30.1 - Wie Google tickt - How Google Works is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Kapitel 29.3 & Kapitel 30.1 - Wie Google tickt - How Google Works by Eric Schmidt, Jonathan Rosenberg, Christian Jungwirth has a tempo of 85 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Kapitel 29.3 & Kapitel 30.1 - Wie Google tickt - How Google Works being at 85 BPM, the half-time would be 42 BPM with a double-time of 170 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 48: 7. In paradisum | Gabriel Fauré, L'union Chorale De La Tour De Peilz, Orchestre de la Suisse Romande, Ernest Ansermet, Eric Schmidt | A♭ Major | 10 | 4B | 154 BPM | ||
La fille du régiment / Act 1: Ah mes amis - Pour mon âme | Gaetano Donizetti, Luciano Pavarotti, Eric Garrett, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
A Paz Eu Vos Deixo | Diego Adinolfi | C Major | 2 | 8B | 90 BPM | ||
Yunosha i deva (The Youth and the Maiden) | Alexander Dargomyzhsky, Dmitri Hvorostovsky, Ivari Ilja | G Minor | 1 | 6A | 94 BPM | ||
Tirsi non giova il pianto, Archivio di Montecassino, Fondo musicale, 2a - 3/1: I. andante | Giuseppe De Ferraris, Alessandro Minci, Tania Di Giorgio | B♭ Major | 1 | 6B | 78 BPM | ||
Kuoro, Te Kalastajat Vetten Syvien | Cantio Laudis -kuoro | G Minor | 1 | 6A | 86 BPM | ||
De profundis, LWV 62: De profundis | Jean-Baptiste Lully, Chœur De Chambre De Namur, Millenium Orchestra, Cappella Mediterranea, Leonardo García-Alarcón, Sophie Junker, Judith van Wanroij, Matthias Vidal, Thibaut Lenaerts, Alain Buet | C Major | 2 | 8B | 97 BPM | ||
Kapitel 88.2 & Kapitel 89.1 - Wie Google tickt - How Google Works | Eric Schmidt, Jonathan Rosenberg | E♭ Minor | 2 | 2A | 107 BPM | ||
Große Credomesse, Kv 257: II. Gloria | Wolfgang Amadeus Mozart, Chor und Orchester von St. Augustin | C Major | 5 | 8B | 94 BPM | ||
Hoffmanns Erzählungen: Prologue: Aus dem Becher kommt der Trunk | Jacques Offenbach, Kölner Rundfunkchor, Kölner Rundfunk-Sinfonie-Orchester, Chor, Eugen Szenkar | C Major | 3 | 8B | 75 BPM |
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