Fauré: Requiem, Op. 48: V. Agnus Dei - Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra Information

Acousticness: 97%
Danceability: 19%
Energy: 33%
Instrumentalness: 88%
Liveness: 16%
Loudness: 71%
Speechiness: 5%
Valence: 6%
Popularity: 6%
Loudness: -17.373 dB

Summary

"Fauré: Requiem, Op. 48: V. Agnus Dei" by Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra was released on January 1, 1968. Fauré: Requiem, Op. 48: V. Agnus Dei is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 5 out of 8 in Fauré: Requiem, Op. 48 & Pavane, Op. 50 by Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Fauré: Requiem, Op. 48: V. Agnus Dei is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Fauré: Requiem, Op. 48: V. Agnus Dei BPM

The tempo marking of Fauré: Requiem, Op. 48: V. Agnus Dei by Gabriel Fauré, Choir of King's College, Cambridge, Sir David Willcocks, New Philharmonia Orchestra is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.

Fauré: Requiem, Op. 48: V. Agnus Dei Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (First Verse)	Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham	C Minor	1	5A	83 BPM
Trois chansons de Charles d'Orleans L. 92: I. Dieu! qu'il la fait bon regarder	Claude Debussy, Netherlands Chamber Choir	A♭ Minor	1	1A	78 BPM
Misatango, Misa a Buenos Aires: V. Quoniam tu solus sanctus	MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra	C Major	3	8B	89 BPM
Simple Gifts (Arr. Aaron Copland)	Yvonne Kenny, Melbourne Symphony Orchestra, Vladimir Kamirski	A♭ Major	1	4B	174 BPM
Requiem, Op. 48: Requiem, Op. 48: I. Introït	Gabriel Fauré, Ensemble Musique Oblique, Philippe Herreweghe, Les Petits Chanteurs de Saint-Louis, La Chapelle Royale	D Minor	0	7A	108 BPM
The House of Life: Silent Noon	Ralph Vaughan Williams, Anthony Rolfe Johnson, Graham Johnson, Simon Keenlyside, Duke Quartet	G Major	1	9B	92 BPM
6 Chansons: No. 2. Un cygne	Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed	E Minor	1	9A	82 BPM
Mass of the Americas: I. El cantico del alba	Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks	C Minor	3	5A	133 BPM
Gloria in D Major, RV 589: IX. Qui tollis	Antonio Vivaldi, Atlanta Symphony Orchestra, Robert Shaw, Atlanta Symphony Orchestra Chamber Chorus	E Minor	2	9A	128 BPM
Tavener: Funeral Ikos	John Tavener, Choir of King's College, Cambridge, Stephen Cleobury	A♭ Major	0	4B	106 BPM

ISRC: GBAYC1902050
Label: L-M Records/RCA Records

Section: 0.7208940982818604

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