"Wozzeck / Act 2: Scene 3: Street Before Marie's Door. "Guten Tag, Franz"" by Alban Berg, Franz Grundheber, Hildegard Behrens, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. The duration of Wozzeck / Act 2: Scene 3: Street Before Marie's Door. "Guten Tag, Franz" is about 3 minutes long, at 3:28. Based on our data, "Wozzeck / Act 2: Scene 3: Street Before Marie's Door. "Guten Tag, Franz"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. In terms of popularity, Wozzeck / Act 2: Scene 3: Street Before Marie's Door. "Guten Tag, Franz" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act 2: Scene 3: Street Before Marie's Door. "Guten Tag, Franz" by Alban Berg, Franz Grundheber, Hildegard Behrens, Wiener Philharmoniker, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in C Major, Op. 46: II. Sehr langsam - | Seattle Symphony Orchestra, Hans Pfitzner, Gerard Schwarz | F Major | 0 | 7B | 90 BPM | ||
Schoenberg: Verklärte Nacht, Op. 4: V. Adagio, molto tranquilo | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra, Charles Pikler, John Sharp, Joseph Golan, Li-Kuo Chang, Ruben Gonzalez, Stephen Balderston | E Minor | 1 | 9A | 125 BPM | ||
Much ado about nothing - Incidental Music: No. 5 Masquerade | Erich Wolfgang Korngold, Gil Shaham, André Previn | C Major | 2 | 8B | 121 BPM | ||
Concerto for String Orchestra: III. Vivo | Grażyna Bacewicz, Capella Bydgostiensis, Mariusz Smolij | D Minor | 3 | 7A | 113 BPM | ||
Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM | ||
Piano Concerto, FP 146: 2. Andante con moto | Francis Poulenc, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | E♭ Major | 0 | 5B | 81 BPM | ||
Six Pieces For Orchestra, Op. 6 - Original Version (1909): I. Etwas bewegt | Anton Webern, Berliner Philharmoniker, Pierre Boulez | B Major | 0 | 1B | 167 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Eine Alpensinfonie: X. Nacht | Richard Strauss, Bernard Haitink, London Symphony Orchestra | B♭ Minor | 0 | 3A | 86 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM |
Section: 0.7005786895751953
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