Erich Wolfgang Korngold, Gil Shaham, André Previn made "Much ado about nothing - Incidental Music: No. 5 Masquerade" available on January 1, 1994. The duration of Much ado about nothing - Incidental Music: No. 5 Masquerade is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Much ado about nothing - Incidental Music: No. 5 Masquerade's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 10 in Barber: Violin Concerto / Korngold: Violin Concerto; Much Ado About Nothing by Gil Shaham, London Symphony Orchestra, André Previn, Erich Wolfgang Korngold, Samuel Barber. Based on our statistics, Much ado about nothing - Incidental Music: No. 5 Masquerade's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Much ado about nothing - Incidental Music: No. 5 Masquerade by Erich Wolfgang Korngold, Gil Shaham, André Previn is Allegro (fast, quick, and bright), since this song has a tempo of 121 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L’arlésienne Suite No. 1, Op. 23bis, WD 40: III. Adagietto | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Major | 0 | 7B | 86 BPM | ||
Andante in A Major, BB 26b | Béla Bartók, James Ehnes, Andrew Armstrong | E Minor | 1 | 9A | 60 BPM | ||
Clarinet Sonata, FP 184: Allegro con fuoco: Tres anime | Francis Poulenc, Ronald Van Spaendonck, Alexandre Tharaud | G Major | 0 | 9B | 105 BPM | ||
Much Ado about Nothing Suite, Op. 11: II. The Maiden in the Bridal Room | Erich Wolfgang Korngold, Marc Albrecht, Orchestre Philharmonique De Strasbourg | D♭ Major | 1 | 3B | 118 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: III. Largo sostenuto | Bedřich Smetana, Pavel Haas Quartet | A♭ Major | 0 | 4B | 169 BPM | ||
Pelléas et Mélisande, L. 88 - put together by Erich Leinsdorf: Acte II: Scène I. Une fontaine dans le parc | Claude Debussy, Berliner Philharmoniker, Claudio Abbado | B♭ Minor | 0 | 3A | 111 BPM | ||
Concerto for Oboe and Small Orchestra in D Major, Op. 144: III. Vivace - Allegro | Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding | D Major | 2 | 10B | 126 BPM | ||
Piano Quartet in E-Flat Major, Op. 47: IV. Finale (Vivace) | Robert Schumann, Alexander Melnikov, Jerusalem Quartet | A Major | 0 | 11B | 88 BPM | ||
Sibelius : Violin Concerto in D minor Op.47 : II Adagio di molto | Jean Sibelius, Maxim Vengerov, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Major | 1 | 6B | 129 BPM | ||
String Quartet No. 1 in E Minor, JB 1:105: IV. Vivace | Bedřich Smetana, Pavel Haas Quartet | E Major | 3 | 12B | 125 BPM |
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