Notre Dame, Op. 2: Act I Scene 2: Holle! Tod! (Archdeacon, Gringoire, Esmeralda) - Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick Information

"Notre Dame, Op. 2: Act I Scene 2: Holle! Tod! (Archdeacon, Gringoire, Esmeralda)" by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick was released on January 1, 1989. Notre Dame, Op. 2: Act I Scene 2: Holle! Tod! (Archdeacon, Gringoire, Esmeralda) appears to be safe for all ages as it is not explicit. There are a total of 20 in the song's album "Schmidt, F.: Notre Dame [Opera]". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United States. Notre Dame, Op. 2: Act I Scene 2: Holle! Tod! (Archdeacon, Gringoire, Esmeralda) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Notre Dame, Op. 2: Act I Scene 2: Holle! Tod! (Archdeacon, Gringoire, Esmeralda) BPM

With Notre Dame, Op. 2: Act I Scene 2: Holle! Tod! (Archdeacon, Gringoire, Esmeralda) by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Notre Dame, Op. 2: Act I Scene 2: Holle! Tod! (Archdeacon, Gringoire, Esmeralda) Key

E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.