"Laudate Dominum omnes gentes à 12: 13a parte - Laudate Dominum omnes gentes" by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter was released on January 1, 2003. The duration of Laudate Dominum omnes gentes à 12: 13a parte - Laudate Dominum omnes gentes is about 3 minutes long, at 3:10. Based on our data, "Laudate Dominum omnes gentes à 12: 13a parte - Laudate Dominum omnes gentes" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Orlande de Lassus, Hofkapelle Ensemble, Michael Procter's "Lassus, O.: Lagrime Di San Pietro / Melancholia" album is number 34 out of 34. On top of that, Germany appears to be the country where this track was created. Laudate Dominum omnes gentes à 12: 13a parte - Laudate Dominum omnes gentes is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Laudate Dominum omnes gentes à 12: 13a parte - Laudate Dominum omnes gentes by Orlande de Lassus, Hofkapelle Ensemble, Michael Procter to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : VII Deo gratias | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 83 BPM | ||
Innsbruck, ich muss dich lassen | Heinrich Isaac, Capilla Flamenca | F Major | 0 | 7B | 94 BPM | ||
Cléreau: Les Odes de Pierre de Ronsard à 3 parties: No. 9, La lune est coustumiere De naistre tous les mois | Pierre Clereau, Ensemble Gilles Binchois | E♭ Minor | 0 | 2A | 76 BPM | ||
Ecclesie militantis | Guillaume Dufay, Pomerium, Alexander Blachly | F Major | 2 | 7B | 76 BPM | ||
Antiphon O eterne deus | Hildegard von Bingen, Anonymous 4 | G Major | 0 | 9B | 77 BPM | ||
The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM | ||
Liturgy of St. John Chrysostom, Op. 41, TH 75: Amen, and With Thy Spirit | Pyotr Ilyich Tchaikovsky, USSR Ministry of Culture Chamber Choir, Valery Polyansky | C Major | 0 | 8B | 73 BPM | ||
Psalm 130: Ich Harre auf den Herren | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | B♭ Major | 1 | 6B | 92 BPM | ||
Ecco la Primavera | Francesco Landini, Trinity Baroque, The Holbein Consort, Martin Pope, Alan Crumpler, Julian Podger, Fprbury Consort | G Major | 0 | 9B | 69 BPM | ||
Farnabys Humour | Giles Farnaby, Harmonia Recorder Ensemble | G Major | 0 | 9B | 68 BPM |
Section: 0.5693671703338623
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