Moscow New Philharmonic Orchestra, Vladimir Ponkin's 'Act III. Russian dance' came out on 2004. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "P. Tchaikovsky: The Swan Lake, ballet (excerpts)". In this album, this song's track order is #10. Act III. Russian dance is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Act III. Russian dance by Moscow New Philharmonic Orchestra, Vladimir Ponkin having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tausendsapperment-Walzer, Op. 61 | Johann Strauss I, Slovak Sinfonietta Zilina, Christian Pollack | E Major | 1 | 12B | 173 BPM | ||
Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | F Major | 1 | 7B | 81 BPM | ||
Don Quixote: Act I: Quiteria (Kitri) enters | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 0 | 9B | 172 BPM | ||
Don Quixote: Act III: Quiteria's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | C Major | 1 | 8B | 167 BPM | ||
Symphony No. 4 in A Major, Op. 90, "Italian": I. Allegro vivace | Felix Mendelssohn, George Szell, Cleveland Orchestra | A♭ Major | 1 | 4B | 93 BPM | ||
Peer Gynt Suite No.1, Op.46: 3. Anitra's Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | D Minor | 0 | 7A | 84 BPM | ||
Act III: Variation III. La fee Saphir | Moscow New Philharmonic Orchestra, Vladimir Ponkin | C Major | 2 | 8B | 134 BPM | ||
Rage Over A Lost Penny (Rondo A Capiriccia Op. 129) | The Jane Austen Era | G Major | 2 | 9B | 153 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
Violin Concerto in D Major, Op. 3 No. 12 "Il labirinto armonico": I. Allegro - Capriccio | Pietro Locatelli, Chloe Chua, Singapore Symphony Orchestra, Chan Yoong Han | D Major | 2 | 10B | 129 BPM |
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