"Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür herein (Wenn dein Mütterlein tritt zur Tür herein)" by Gustav Mahler, Friedrich Rückert, Věra Soukupová, Václav Neumann, Czech Philharmonic Orchestra was released on January 1, 1963. With this song being about 5 minutes long, at 5:29, "Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür herein (Wenn dein Mütterlein tritt zur Tür herein)" by Gustav Mahler, Friedrich Rückert, Věra Soukupová, Václav Neumann, Czech Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gustav Mahler, Věra Soukupová, Václav Neumann, Czech Philharmonic's "Mahler: Kindertotenlieder, Lieder eines fahrenden Gesellen.." album is number 3 out of 10. On top of that, Czechia appears to be the country where this track was created. Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür herein (Wenn dein Mütterlein tritt zur Tür herein) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Kindertotenlieder: Wenn dein Mütterlein tritt zur Tür herein (Wenn dein Mütterlein tritt zur Tür herein) by Gustav Mahler, Friedrich Rückert, Věra Soukupová, Václav Neumann, Czech Philharmonic Orchestra to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
String Quintet In C, D. 956: 3. Scherzo (Presto) - Trio (Andante sostenuto) | Franz Schubert, Mstislav Rostropovich, Emerson String Quartet | C Major | 2 | 8B | 107 BPM | ||
Symphony No. 3 in D Minor: Part 1, I. Tempo Primo | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | F Major | 1 | 7B | 122 BPM | ||
Bluebeard's Castle: VI. Fifth Door - Bluebeard's Vast and Beautiful Kingdom | Béla Bartók, Valery Gergiev, Elenz Zhidkova, London Symphony Orchestra, Willard White | C Major | 2 | 8B | 138 BPM | ||
Symphony No. 2 in C Minor "Resurrection": III. In ruhig fließender Bewegung | Gustav Mahler, Leonard Bernstein, New York Philharmonic | B Minor | 0 | 10A | 112 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphony in C Minor, EG 119: II. Adagio espressivo | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | E Major | 1 | 12B | 78 BPM | ||
Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM |
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