"Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": Russian Dance (1947 Version)" by Igor Stravinsky, Yevgeny Svetlanov, Orchestre Philharmonique de Radio France was released on June 3, 2022. The duration of Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": Russian Dance (1947 Version) is about 3 minutes long, at 3:23. Based on our data, "Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": Russian Dance (1947 Version)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Stravinsky: Petrushka - Svetlanov: Poem for Violin". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": Russian Dance (1947 Version) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Stravinsky: Petrushka, Pt. 1 "The Shrovetide Fair": Russian Dance (1947 Version) by Igor Stravinsky, Yevgeny Svetlanov, Orchestre Philharmonique de Radio France having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Concerto for Two Pianos in D Minor, FP 61: II. Larghetto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | B♭ Major | 0 | 6B | 84 BPM | ||
Concerto pour piano | Germaine Tailleferre, The California Parallele Ensemble, UC Santa Cruz Orchestra, Nicole Paiement | D Major | 2 | 10B | 105 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM | ||
Concerto for Organ, Strings and Percussion in G minor, FP 93: Andante | Francis Poulenc, Peter Hurford, Philharmonia Orchestra, Charles Dutoit | A♭ Major | 1 | 4B | 107 BPM | ||
Hary Janos Suite: Háry János Suite: V. Intermezzo | Zoltán Kodály, Neeme Järvi, Chicago Symphony Orchestra, Laurence Kaptain | D Minor | 1 | 7A | 109 BPM | ||
Four Orchestral Pieces Op. 12 (Sz 51): I. Preludio | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Scheherazade: The Fight | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 1 | 9A | 80 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 14. Finale: E.D.U. (Allegro - Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | G Major | 2 | 9B | 115 BPM |
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