"II. Erfreute Zeit Im Neuen Bunde BWV 83, (2) Aria • Recitativo (Basso): Herr, Nun Lässest Du Deinen Diener" by Holland Boys Choir, Netherlands Bach Collegium, Marjon Strijk, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman, Pieter Jan Leusink was released on December 20, 2006. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 17 in Bach Cantatas (Complete) Part: 44 by Holland Boys Choir, Netherlands Bach Collegium. II. Erfreute Zeit Im Neuen Bunde BWV 83, (2) Aria • Recitativo (Basso): Herr, Nun Lässest Du Deinen Diener is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of II. Erfreute Zeit Im Neuen Bunde BWV 83, (2) Aria • Recitativo (Basso): Herr, Nun Lässest Du Deinen Diener by Holland Boys Choir, Netherlands Bach Collegium, Marjon Strijk, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman, Pieter Jan Leusink is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suitte en Trio No. 3 in E Minor, Op. 1: IV. Gigue | Louis-Antoine Dornel, Musica Barocca | E♭ Minor | 1 | 2A | 57 BPM | ||
Jesus nahm zu sich die Zwölfe, BWV 22: Ertot uns durch dein Gute (Chorus) | Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A Major | 2 | 11B | 79 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad faciem: Concerto "Amen" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
Atys, LWV 53: Act III, Scene 4 Entrée des songes agréables | Jean-Baptiste Lully, Le Concert Tribuot, Laurent Beyhurst | F♯ Major | 3 | 2B | 109 BPM | ||
Stabat Mater in G Minor: I. Stabat Mater | Frantisek Tuma, Collegium 1704, Collegium vocale 1704, Vaclav Luks | E Minor | 2 | 9A | 143 BPM | ||
I. Gott Ist Mein König BWV 71, 2. Aria (Soprano, Tenore): Ich Bin Nun Achtzig Jahr | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Johann Sebastian Bach, Knut Schoch, Frank Aarnink, Rien Voskuilen, Peter Frankenberg, Ofer Frenke, Ruth Holton, Vaughan Schlepp, Anneke Boeke, Katherin Steddon, Bas Ramselaar, Pieter Jan Leusink | F Minor | 0 | 4A | 92 BPM | ||
6 Kleine Präludien: No. 3 in D Minor, BWV 935 | Inge Rosar | D Minor | 1 | 7A | 96 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 2. Hosanna | Niccolò Jommelli, Il Gardellino, Peter Van Heyghen | D Major | 2 | 10B | 110 BPM | ||
Pieces de clavecin: Suite in E Minor: IV. Gigue en rondeau II | Jean-Philippe Rameau, Gilbert Rowland | D♭ Minor | 4 | 12A | 108 BPM | ||
Meditation No. 2 | Alexander Därr | C Major | 0 | 8B | 138 BPM |
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