Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner's ' "Jesus nahm zu sich die Zwölfe, BWV 22: Ertot uns durch dein Gute (Chorus)" was released on its scheduled release date, January 1, 2000. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 37 in Bach, J.S.: Cantatas, Vol. 21 - Bwv 1, 22, 23, 54, 127, 159, 182 by Johann Sebastian Bach, John Eliot Gardiner. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Jesus nahm zu sich die Zwölfe, BWV 22: Ertot uns durch dein Gute (Chorus) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Jesus nahm zu sich die Zwölfe, BWV 22: Ertot uns durch dein Gute (Chorus) by Johann Sebastian Bach, Ruth Holton, Claudia Schubert, James Oxley, Peter Harvey, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Requeim in C Minor, ZWV. 48: Kyrie - II | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Monika Frimmer, Paul Dombrecht | D♭ Minor | 2 | 12A | 86 BPM | ||
Lobet den Herrn alle Heiden, BWV 230 | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maria Keohane, Robin Blaze, Hans-Jörg Mammel, Stephan MacLeod | A Major | 2 | 11B | 81 BPM | ||
Jesu, meine Freude, BWV 227: XI. Choral "Weicht, ihr Trauergeister" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | A Major | 2 | 11B | 81 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Requeim in C Minor, ZWV. 48 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | E Major | 1 | 12B | 118 BPM | ||
II. Es kann mir fehlen nimmermehr! (Recitative & Choral) | Johann Sebastian Bach, Christoph Spering, Das Neue Orchester, Chorus Musicus Köln, Tobias Berndt | A♭ Major | 2 | 4B | 92 BPM | ||
I. Gott Ist Mein König BWV 71, 3. Coro: Dein Alter Sei Wie Deine Jugend | Holland Boys Choir, Netherlands Bach Collegium, Sytse Buwalda, Peter Frankenberg, Ruth Holton, Bas Ramselaar, Katherin Steddon, Anneke Boeke, Johann Sebastian Bach, Ofer Frenke, Knut Schoch, Frank Aarnink, Pieter Jan Leusink | B♭ Minor | 1 | 3A | 77 BPM | ||
III. Ich Elender Mensch, Wer Wird Mich Erlösen BWV 48, For The 19th Sunday After Trinity, Am 19. Sonntag Nach Trinitatis: Recitativo (Alto), O Schmerz, O Elend | Pieter Jan Leusink, Louis Van Emmerik, Marjon Strijk, Bas Ramselaar, Susan Williams, Holland Boys Choir, Netherlands Bach Collegium, Amsterdam Classics B.V., Jean Van Vugt, Johann Sebastian Bach, Sytse Buwalda, Marcel Beekman | B Minor | 1 | 10A | 126 BPM | ||
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM | ||
I. Christ Lag In Todes Banden BWV 4, 6. Aria (Basso) (Versus V): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Ruth Holton, Bas Ramselaar, Nico Van Der Meel, Johann Sebastian Bach, Sytse Buwalda, Pieter Jan Leusink | B Major | 1 | 1B | 71 BPM |