"Barcarolle für Klavier in F-Sharp Major, Op. 60" by Manfred Reuthe had its release date on February 27, 2015. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Manfred Reuthe's "Manfred Reuthe - Klavier Solo I" album is number 10 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Barcarolle für Klavier in F-Sharp Major, Op. 60's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Barcarolle für Klavier in F-Sharp Major, Op. 60 by Manfred Reuthe to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zwei Legenden über Franz von Assisi für Klavier Solo: No. 2, Der Heilige Franzinskus von Paula über die Wogen schreitend | Manfred Reuthe | E Major | 3 | 12B | 83 BPM | ||
De Courson: Ikhtitaf fi Assaraya (After the "Overture" from "Die Entführung aus dem Serail, K. 384") | Hughes De Courson, Orchestre Symphonique De Bulgarie, Milen Natchev | C Minor | 0 | 5A | 101 BPM | ||
Piano Concerto No. 23 in A Major, K.488: 2. Andante | Wolfgang Amadeus Mozart, Vladimir Ashkenazy, Philharmonia Orchestra | F♯ Minor | 0 | 11A | 78 BPM | ||
Carmen (1987 Digital Remaster): L'amour est un oiseau rebelle (Habanera) | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | D Major | 1 | 10B | 130 BPM | ||
Quand on n’a que l’amour | Jacques Brel, Gautier Capuçon, Jerome Ducros | A♭ Minor | 2 | 1A | 113 BPM | ||
Klaviersonate in C Major, L. 457: Catabile | Manfred Reuthe | C Major | 3 | 8B | 129 BPM | ||
Waltz 2 from Jazz Suite | Evgeny Bilyar, Armonie Symphony Orchestra | C Minor | 3 | 5A | 186 BPM | ||
Má Vlast, JB1:112: II. Vltava | Bedřich Smetana, Boston Symphony Orchestra, Rafael Kubelík | D Major | 2 | 10B | 100 BPM | ||
Fiona Has To Work (Partita No. 2 In C Minor, BWV 826: IV. Sarabande [Excerpt]) | Angela Hewitt | C Minor | 2 | 5A | 94 BPM | ||
Das Rheingold, WWV 86A: Entrance of the Gods into Valhalla (Transcr. L. Stokowski) | Richard Wagner, Bournemouth Symphony Orchestra, José Serebrier | E♭ Major | 5 | 5B | 118 BPM |