"Klaviersonate in C Major, L. 457: Catabile" by Manfred Reuthe had its release date on February 27, 2015. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Manfred Reuthe's "Manfred Reuthe - Klavier Solo I" album is number 3 out of 16. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Klaviersonate in C Major, L. 457: Catabile's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Klaviersonate in C Major, L. 457: Catabile by Manfred Reuthe to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
34 Valses sentimentales Op.50, D779: No.5 in B flat | Paolo Bordoni | F Major | 1 | 7B | 129 BPM | ||
De Courson: Ikhtitaf fi Assaraya (After the "Overture" from "Die Entführung aus dem Serail, K. 384") | Hughes De Courson, Orchestre Symphonique De Bulgarie, Milen Natchev | C Minor | 0 | 5A | 101 BPM | ||
4 Impromptus, Op. 90, D. 899: No. 4 in A-Flat Major. Allegretto | Franz Schubert, Alfred Brendel | E♭ Major | 0 | 5B | 65 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Lilya Zilberstein, Berliner Philharmoniker, Claudio Abbado | C Minor | 1 | 5A | 104 BPM | ||
Por Una Cabeza | QuinTango | G Major | 2 | 9B | 99 BPM | ||
Prélude & Fugue No. 2 en Do mineur, BWV 847: Prélude | Jennifer Fichet | F Minor | 0 | 4A | 121 BPM | ||
Prelude and Fugue: No. 1 in C Major, BWV 846 | Johann Sebastian Bach, Tatiana Nikolayeva | D Minor | 0 | 7A | 140 BPM | ||
The Weeping Meadow I | Eleni Karaindrou, Eleni Karaindrou Ensemble, String Orchestra La Camerata | E Minor | 1 | 9A | 73 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, Orchestra del Maggio Musicale Fiorentino, Sir John Pritchard | C Minor | 1 | 5A | 97 BPM | ||
Adagio for Organ and Strings in G Minor | Tomaso Albinoni, Latvian Philharmonic Chamber Orchestra, Ilmar Lapinsch, Tibor Bauer, Drazan Milas | D Major | 1 | 10B | 114 BPM |