Various Artists, Hilary Hahn, Paavo Järvi made "Hilary Hahn And Paavo Järvi In Conversation, Pt. 2 - Bonus Track" available on February 9, 2014. With Hilary Hahn And Paavo Järvi In Conversation, Pt. 2 - Bonus Track being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Hilary Hahn, Deutsche Kammerphilharmonie Bremen, Paavo Järvi, Henri Vieuxtemps, Wolfgang Amadeus Mozart's "Mozart: Violin Concerto No.5 In A, K.219 / Vieuxtemps: Violin Concerto No.4 In D Minor, Op.31 (Bonus Track Version)" album is number 9 out of 9. Hilary Hahn And Paavo Järvi In Conversation, Pt. 2 - Bonus Track is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Hilary Hahn And Paavo Järvi In Conversation, Pt. 2 - Bonus Track by Various Artists, Hilary Hahn, Paavo Järvi to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Massenet: La Vierge, Pt. 4: Le dernier sommeil de la Vierge | Jules Massenet, John Eliot Gardiner, Orchestre National de l'Opéra de Monte-Carlo | A Minor | 5 | 8A | 95 BPM | ||
String Quartet in E Minor, Op. 121: III. Allegro | Gabriel Fauré, Ad Libitum Quartet | E Minor | 0 | 9A | 136 BPM | ||
Serenade for String Orchestra in C Major, Op. 48, TH 48: III. Elegie | Pyotr Ilyich Tchaikovsky, The Russian Virtuosi of Europe, Yuri Zhislin | D Major | 1 | 10B | 112 BPM | ||
Sextet in E-Flat Major, Op. 81b: III. Rondo | Ludwig van Beethoven, János Keveházi, Jeno Kevehazi, Ildiko Hegyi, Peter Popa, Gyözö Máthé, Péter Szabó | E♭ Major | 1 | 5B | 134 BPM | ||
Cello Concertino No. 2 in G Major, Op. 41: II. Andante | Julius Klengel, Martin Rummel, Mari Kato | B Minor | 1 | 10A | 88 BPM | ||
24 Caprices For Violin, Op. 1, MS. 25: No. 14 in E-Flat Major | Niccolò Paganini, Inmo Yang | E♭ Major | 1 | 5B | 54 BPM | ||
Violin Concerto No. 2 in D Minor, Op. 22: II. Romance | Henryk Wieniawski, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B♭ Major | 1 | 6B | 91 BPM | ||
Sonata for Violoncello and Piano No. 1 in C Minor, Op. 32: III. Allegro moderato | Camille Saint-Saëns, Mischa Maisky, Daria Hovora | C Minor | 2 | 5A | 98 BPM | ||
Cello Concerto in B-Flat Major, G. 482: I. Allegro moderato | Luigi Boccherini, Raphael Wallfisch, Northern Chamber Orchestra, Nicholas Ward | B♭ Major | 1 | 6B | 125 BPM | ||
Cello Sonata in E Minor, Op.38: III. Allegro | Johannes Brahms, Jacqueline du Pré | E Minor | 2 | 9A | 73 BPM |
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