Luigi Arditi, Erna Sack, Berlin Deutsche Opera Orchestra, Hans Schmidt-Isserstedt made "Parla Waltz" available on July 2, 2013. With this song being about 5 minutes long, at 4:32, "Parla Waltz" by Luigi Arditi, Erna Sack, Berlin Deutsche Opera Orchestra, Hans Schmidt-Isserstedt is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 19 in the song's album "Singers of the Century: Erna Sack - The German Nightingale sings Coloratura Masterpieces (1935-1942)". In this album, this song's track order is #8. Parla Waltz is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Parla Waltz by Luigi Arditi, Erna Sack, Berlin Deutsche Opera Orchestra, Hans Schmidt-Isserstedt having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Merry Widow (Die lustige Witwe) - Sung In Italian - Act 2: Vilja-Lied | Franz Lehár, Renata Tebaldi, With Orchestral Accompaniment | G Major | 1 | 9B | 86 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 2: Valse moderato | Franz Lehár, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 98 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge | D Major | 0 | 10B | 169 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Norman Bailey, Hannelore Bode, René Kollo, Adolf Dallapozza, Julia Hamari, Wiener Philharmoniker, Sir Georg Solti | F♯ Major | 2 | 2B | 82 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Lehar: Die lustige Witwe, IFL 12, Act 2: "Nun laßt uns aber wie dahein". "Es lebt' eine Vilja" (Viljalied)..."Mi velimo dase dase Veslimo!" [Hanna, Chor] | Franz Lehár, Philharmonia Orchestra, The Philharmonia Chorus, Lovro Von Matacic | G Major | 1 | 9B | 85 BPM | ||
Serse / Act 1 HWV40: "Ombra mai fu" | George Frideric Handel, Bryn Terfel, Scottish Chamber Orchestra, Sir Charles Mackerras | E Major | 1 | 12B | 90 BPM | ||
Mon coeur s'ouvre à ta voix | Camille Saint-Saëns, Christa Ludwig, Giuseppe Patanè | C Major | 1 | 8B | 77 BPM | ||
Messe solennelle de Sainte Cécile: Agnus Dei | Charles Gounod, Barbara Hendricks, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Radio France | B♭ Major | 2 | 6B | 96 BPM | ||
Faust / Act 3: "Ah! Je ris de me voir" | Charles Gounod, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM |
Section: 0.7096900939941406
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