- BPM
- 65
- Key
- F♯ Minor
- Camelot
- 11A
Confitebor tibi Domine: Redemptionem misit - Giovanni Battista Pergolesi, Thomas Hengelbrock Information
- Acousticness
- 97%
- Danceability
- 20%
- Energy
- 13%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 70%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 1%
- Loudness
- -17.997 dB
Summary
"Confitebor tibi Domine: Redemptionem misit" by Giovanni Battista Pergolesi, Thomas Hengelbrock was released on August 16, 1996. With Confitebor tibi Domine: Redemptionem misit being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 21 out of 25 in Durante, Astorga, Pergolesi / Sacred Works by Thomas Hengelbrock. Confitebor tibi Domine: Redemptionem misit is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Confitebor tibi Domine: Redemptionem misit BPM
The tempo marking of Confitebor tibi Domine: Redemptionem misit by Giovanni Battista Pergolesi, Thomas Hengelbrock is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Confitebor tibi Domine: Redemptionem misit Key
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | |
 | Stabat Mater: Quando corpus morietur | Giovanni Battista Pergolesi, Anna Netrebko, Marianna Pizzolato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B♭ Minor | 1 | 3A | 84 BPM | |
 | Pergolesi: Stabat Mater in F Minor, P. 77: IX. Sancta Mater, istud agas (Soprano, Alto) | Giovanni Battista Pergolesi, Il Seminario Musicale - Véronique Gens - Gérard Lesne | D♭ Major | 1 | 3B | 70 BPM | |
 | Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | |
 | In Caelo Stele Clare Fulgescant: Alleluia | Nicola Porpora, Julia Lezhneva, Il Giardino Armonico, Giovanni Antonini | A♭ Major | 3 | 4B | 0 BPM | |
 | Stabat Mater in F Minor, P. 77: XI. Inflammatus et accensus | Giovanni Battista Pergolesi, Sandrine Piau, Christopher Lowrey, Les Talens Lyriques, Christophe Rousset | A Major | 1 | 11B | 111 BPM | |
 | Deuxieme livre, Suite en Mi: X. Tambourin | Jean-Philippe Rameau, Alexander Paley | A Major | 1 | 11B | 130 BPM | |
 | Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM | |
 | Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 1 | 12A | 68 BPM | |
 | Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.715172290802002
End: 0.7198498249053955