John Dowland, Anonymous, Nora Fischer, Marnix Dorrestein's 'Can She Excuse My Wrongs? (Arr. Voice & Electric Guitar)' came out on April 13, 2018. The duration of Can She Excuse My Wrongs? (Arr. Voice & Electric Guitar) is about 3 minutes long, at 3:04. Based on our data, "Can She Excuse My Wrongs? (Arr. Voice & Electric Guitar)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Nora Fischer, Marnix Dorrestein's "Hush" album is number 7 out of 12. Based on our statistics, Can She Excuse My Wrongs? (Arr. Voice & Electric Guitar)'s popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Can She Excuse My Wrongs? (Arr. Voice & Electric Guitar) by John Dowland, Anonymous, Nora Fischer, Marnix Dorrestein to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danserye - Pavanen: No. 39. Mille regretz (Arr. for Baroque Ensemble by Christoph Lehmann) | Tylman Susato, Holland Baroque Society | A Minor | 0 | 8A | 89 BPM | ||
Wiegala | Ilse Weber, Anne Sofie von Otter, Bebe Risenfors | E Minor | 0 | 9A | 112 BPM | ||
St Magnus Hymn - Nobilis Humilis | Trio Mediæval, Arve Henriksen | C Major | 0 | 8B | 166 BPM | ||
Flowering Jasmine | Georgs Pelēcis, Gidon Kremer | A Minor | 0 | 8A | 135 BPM | ||
Vivaldi: Stabat Mater in F Minor, RV 621: I. Stabat Mater dolorosa | Antonio Vivaldi, Philippe Jaroussky, Alessandro Tampieri | B♭ Major | 0 | 6B | 76 BPM | ||
Cantus arcticus, Op. 61, "Concerto for Birds and Orchestra": I. Suo (The Marsh) | Einojuhani Rautavaara, Royal Scottish National Orchestra, Hannu Lintu | F♯ Major | 1 | 2B | 119 BPM | ||
Trois chansons bretonnes - La rencontre | Patricia Petibon | E♭ Minor | 4 | 2A | 97 BPM | ||
Strange Fruit | Rokia Traoré | B♭ Minor | 2 | 3A | 120 BPM | ||
Etudes latines: Néère | Reynaldo Hahn, Véronique Gens, Susan Manoff | F♯ Minor | 0 | 11A | 104 BPM | ||
Nos esprits libres et contents | Anonymous, Claire Lefilliâtre, Bruno Le Levreur, Jean-François Novelli, Arnaud Marzorati, Le Poème Harmonique, Vincent Dumestre | D Minor | 0 | 7A | 107 BPM |
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