Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner's 'Gold und Silber, Op.79: Walzer' came out on January 1, 1999. Since Gold und Silber, Op.79: Walzer is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wiener Soirée by Wiener Philharmoniker, John Eliot Gardiner. The song's track number on the album is #6 out of 9 tracks. Based on our data, Germany was the country where this track was produced or recorded. Gold und Silber, Op.79: Walzer is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Gold und Silber, Op.79: Walzer by Franz Lehár, Wiener Philharmoniker, John Eliot Gardiner has a tempo of 74 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Gold und Silber, Op.79: Walzer being at 74 BPM, the half-time would be 37 BPM with a double-time of 148 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Cenerentola / Act 2: "Non più mesta" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Alessandro Corbelli, Enzo Dara, Michele Pertusi, Fernanda Costa, Gloria Banditelli, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E Major | 3 | 12B | 137 BPM | ||
Die lustige Witwe, Act III: Ja, das Studium der Männer ist schwer (Live) | Franz Lehár, Iurii Samoilov, Marlis Petersen, Barnaby Rea, Kateryna Kasper, Martin Mitterrutzner, Theo Lebow, Michael Porter, Klaus Haderer, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester, Joana Mallwitz | G Major | 10 | 9B | 153 BPM | ||
Die Landstreicher: Overture | Carl Michael Ziehrer, WDR Sinfonieorchester Köln, Helmuth Froschauer | E♭ Major | 3 | 5B | 124 BPM | ||
La fille du régiment: Overture | Gaetano Donizetti, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | B♭ Major | 3 | 6B | 130 BPM | ||
Donna Diana: Overture | Emil Nikolaus von Reznicek, Leonard Bernstein, New York Philharmonic | A Major | 5 | 11B | 102 BPM | ||
Eva (das Fabriksmadel) [the Factory Girl]: Waltz [War es auch nichts als ein augenblick] | Franz Lehár, Tonhalle-Orchester Zürich | G Major | 3 | 9B | 91 BPM | ||
The Merry Widow: "Vilja Lied" | Franz Lehár, Konrad Leitner, Slowakische Philharmonie, Renata Scotto | F Major | 2 | 7B | 68 BPM | ||
Core 'ngrato (orch. G. Chiaramello) | Salvatore Cardillo, Giancarlo Chiaramello, Dmitri Hvorostovsky, Russian Philharmonia, Constantine Orbelian | D♭ Major | 1 | 3B | 136 BPM | ||
Panis Angelicus | Franco Corelli | A Major | 1 | 11B | 66 BPM | ||
Der Probekuss: In Saus und Braus | Carl Millöcker, Wiener Johann Strauss Orchester, Alfred Eschwe | F Major | 4 | 7B | 78 BPM |
Section: 0.5949814319610596
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