Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl made "O di Betlemme, altera poverta ventu: III. Aria ' Dal bel seno d'una stella'" available on August 26, 1999. The duration of O di Betlemme, altera poverta ventu: III. Aria ' Dal bel seno d'una stella' is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. O di Betlemme, altera poverta ventu: III. Aria ' Dal bel seno d'una stella''s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Roman Christmas: Italian Concertos and Cantatas". In this album, this song's track order is #10. Based on our statistics, O di Betlemme, altera poverta ventu: III. Aria ' Dal bel seno d'una stella''s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With O di Betlemme, altera poverta ventu: III. Aria ' Dal bel seno d'una stella' by Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Flute Concerto in A Minor, QV 5:238: I. Allegretto | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 2 | 6A | 143 BPM | ||
Alcidiane: Ouverture | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 1 | 11A | 98 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | F Major | 1 | 7B | 70 BPM | ||
Sonata for 2 Recorders and Basso Continuo in D Minor: II. Allegro | Giuseppe Sammartini, Dan Laurin, Parnassus Avenue | D♭ Minor | 0 | 12A | 141 BPM | ||
Trios de la chambre du Roi, LWV 35 (Ed. R. Gwilt): No. 47, Chaconne in C Major | Jean-Baptiste Lully, London Baroque | B Major | 3 | 1B | 105 BPM | ||
De Visée: Pièces de théorbe et de luth, Suite No. 7 en ré mineur: V. Chaconne | Robert de Visée, Jean Rondeau | D♭ Minor | 1 | 12A | 94 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
La Giuditta: Part I: Sinfonia | Alessandro Scarlatti, Sophie Landy, Raphael Pichon, Carl Ghazarossian, Ensemble Baroque de Nice, Gilbert Bezzina | B Major | 5 | 1B | 112 BPM | ||
Sonate concertate in stil moderno, Book 2: No. 10, Sonata à 3 | Dario Castello, London Baroque | D♭ Major | 3 | 3B | 96 BPM |
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