"Orgelbüchlein, BWV 599-644: Vom Himmel hoch, da komm ich her, BWV 606" by Helmut Walcha was released on January 1, 2003. With Orgelbüchlein, BWV 599-644: Vom Himmel hoch, da komm ich her, BWV 606 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #15. Based on our statistics, Orgelbüchlein, BWV 599-644: Vom Himmel hoch, da komm ich her, BWV 606's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orgelbüchlein, BWV 599-644: Vom Himmel hoch, da komm ich her, BWV 606 by Helmut Walcha having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, CPE: Harpsichord Concerto in D Minor, H. 427: III. Allegro assai | Carl Philipp Emanuel Bach, Jean Rondeau, Sophie Gent, Louis Creac'h, Fanny Paccoud, Antoine Touche, Thomas de Pierrefeu, Evolène Kiener | D♭ Minor | 3 | 12A | 136 BPM | ||
Oboe Concerto in D Minor, S. Z799: I. Andante e spiccato | Alessandro Marcello, Marcel Ponseele, Il Gardellino | D♭ Minor | 1 | 12A | 73 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 1 | 12A | 123 BPM | ||
Toccata, Adagio & Fugue in C Major, BWV 564: III. Fugue | Johann Sebastian Bach, Helmut Walcha | C Major | 6 | 8B | 174 BPM | ||
Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Kyrie | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D Minor | 3 | 7A | 111 BPM | ||
The Art of Fugue, BWV 1080: Contrapunctus 2 | Johann Sebastian Bach, Helmut Walcha | D Minor | 2 | 7A | 117 BPM | ||
Overture No. 6 in B-Flat Major: I. Allegro | Francesco Maria Veracini, L'Arte dell' Arco, Federico Guglielmo | F♯ Minor | 3 | 11A | 178 BPM | ||
Violin Sonata in D Minor, Op. 5, No. 12, "La Follia" (arr. for recorder and basso continuo) | Anonymous, Arcangelo Corelli, Michala Petri, Mahan Esfahani | A Minor | 2 | 8A | 137 BPM | ||
Organ Concerto No.7 in B flat, Op.7 No.1 HWV 306: 1. Andante | George Frideric Handel, Eduard Müller, Schola Cantorum Basiliensis, August Wenzinger | D♭ Minor | 1 | 12A | 79 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: I. Overture. Largo - Allegro | George Frideric Handel, Akademie für Alte Musik Berlin | E Major | 2 | 12B | 138 BPM |
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