"Orgelbüchlein, BWV 599-644: Vom Himmel hoch, da komm ich her, BWV 606" by Helmut Walcha was released on January 1, 2003. With Orgelbüchlein, BWV 599-644: Vom Himmel hoch, da komm ich her, BWV 606 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 70 in the song's album "The Christmas Album". In this album, this song's track order is #15. Based on our statistics, Orgelbüchlein, BWV 599-644: Vom Himmel hoch, da komm ich her, BWV 606's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orgelbüchlein, BWV 599-644: Vom Himmel hoch, da komm ich her, BWV 606 by Helmut Walcha having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in A Major: I. Presto | Giovanni Battista Sammartini, Capella Istropolitana, Jaroslav Krcek | A Major | 3 | 11B | 117 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: What passion cannot Music raise | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Chaconne in C Minor, BuxWV 159 | Dietrich Buxtehude, Helmut Walcha | E♭ Minor | 1 | 2A | 62 BPM | ||
Minuet in G Major, BWV Anh. 116 | Carl Philipp Emanuel Bach, Luc Beauséjour | F♯ Major | 1 | 2B | 81 BPM | ||
Kyrie, Gott Vater in Ewigkeit, alio modo, BWV 672 | Johann Sebastian Bach, Helmut Walcha | C Minor | 3 | 5A | 64 BPM | ||
Sinfonia a otto, ZWV 189: II. Andante | Jan Dismas Zelenka, Dresdner Kapellsolisten, Helmut Branny | F Major | 2 | 7B | 45 BPM | ||
Keyboard Sonata in A Major, K.322/L.483/P.360: Allegro | Domenico Scarlatti, Balazs Szokolay | A Major | 1 | 11B | 107 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue No. 1 in C major, BWV 846 | Luc Beauséjour | A♭ Minor | 4 | 1A | 132 BPM |
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