- BPM
- 119
- Key
- C Major
- Camelot
- 8B
Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis' - Walter Berry, Pro Musica Orchestra, Wilma Lipp, Vienna Oratorio Chorus, Christa Ludwig, Murray Dickie Information
- Acousticness
- 97%
- Danceability
- 27%
- Energy
- 27%
- Instrumentalness
- 4%
- Liveness
- 12%
- Loudness
- 73%
- Speechiness
- 4%
- Valence
- 37%
- Popularity
- 0%
- Loudness
- -16.205 dB
Summary
Walter Berry, Pro Musica Orchestra, Wilma Lipp, Vienna Oratorio Chorus, Christa Ludwig, Murray Dickie's 'Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis'' came out on August 14, 2006. The duration of Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis' is about two minutes long, specifically at 2:05. This song does not appear to have any foul language. Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis''s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Walter Berry's "Messe In C-Moll KV 427" album is number 2 out of 15. In terms of popularity, Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis' is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis' BPM
We consider the tempo marking of Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis' by Walter Berry, Pro Musica Orchestra, Wilma Lipp, Vienna Oratorio Chorus, Christa Ludwig, Murray Dickie to be Moderato (at a moderate speed) because the track has a tempo of 119 BPM, a half-time of 60BPM, and a double-time of 238 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Grosse Messe in C-Moll, KV. 427 'Gloria in excelsis' Key
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
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 | Die Schöpfung, Hob. XXI:2, Erster Teil: III. Arie mit Chor "Nun schwanden vor dem heiligen Strahle" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe, Maximilian Schmitt | G Minor | 3 | 6A | 120 BPM | |
 | Don Giovanni / Act 1: "Manco male, è partita" | Wolfgang Amadeus Mozart, Cesare Siepi, Fernando Corena, Hilde Gueden, Walter Berry, Wiener Philharmoniker, Josef Krips | C Minor | 2 | 5A | 99 BPM | |
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 | Elias, Op. 70, MWV A25, Part I: No. 18, Arioso "Weh ihnen, daß sie von mir weichen" (Angel I) | Felix Mendelssohn, Monica Groop, Orchestre des Champs-Élysées, Philippe Herreweghe | D Major | 3 | 10B | 109 BPM | |
 | Il natal d'Apollo: Ove son? Qual'aure io spiro (Erifle) | Vincenzo Righini, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 1 | 6B | 106 BPM | |
| Semiramide: Sento l'amica speme (Semiramide) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 2 | 6B | 132 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | |
 | Stabat Mater, FP 148: 1. Stabat Mater dolorosa | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Minor | 1 | 8A | 77 BPM | |
 | Septet in E-Flat Major, Op. 20: III. Tempo di menuetto | Ludwig van Beethoven, Scharoun Ensemble | F Minor | 0 | 4A | 124 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.085801601409912
End: 1.0899436473846436