"Music for Prague 1968: III. Interlude" by Karel Husa, North Texas Wind Symphony, Eugene Migliaro Corporon was released on January 1, 2002. The duration of Music for Prague 1968: III. Interlude is about 3 minutes long, at 3:28. Based on our data, "Music for Prague 1968: III. Interlude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 19 in the song's album "North Texas Wind Symphony: Recollections". In this album, this song's track order is #18. In terms of popularity, Music for Prague 1968: III. Interlude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Music for Prague 1968: III. Interlude by Karel Husa, North Texas Wind Symphony, Eugene Migliaro Corporon having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Octet for Wind Instruments : I. Sinfonia | Igor Stravinsky, Eastman Wind Ensemble, Mark Scatterday | A Minor | 6 | 8A | 99 BPM | ||
Divertimento for Brass and Percussion: II. Scherzo | Karel Husa, North Texas Wind Symphony, Eugene Migliaro Corporon | C Major | 4 | 8B | 152 BPM | ||
Symphony No. 1 "Jeremiah": I. Prophecy | Leonard Bernstein, Jennie Tourel, New York Philharmonic | E Minor | 3 | 9A | 79 BPM | ||
Excerpts from Dreigroschenoper: Ouverture I | Kurt Weill, Christian Lindberg, Prince of Denmark Air Force Band | B Major | 1 | 1B | 114 BPM | ||
Stravinsky: Petrouchka, Tableau IV "La foire du mardi gras": Le Paysan et l'ours (1947 Version) | Igor Stravinsky, Riccardo Muti, Philadelphia Orchestra | C Major | 0 | 8B | 75 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Prelude | Edward Elgar, Gabrieli, Paul McCreesh | D Major | 0 | 10B | 85 BPM | ||
Symphonie "Mathis der Maler": 2. Grablegung | Paul Hindemith, San Francisco Symphony, Herbert Blomstedt | F♯ Major | 0 | 2B | 80 BPM | ||
La Fiesta Mexicana: II. Mass | US Marine Band | C Major | 0 | 8B | 67 BPM | ||
The Seven Stars' Symphony, Op. 132: II. Lilian Harvey | Charles Koechlin, Sinfonieorchester Basel, Ariane Matiakh | D♭ Major | 1 | 3B | 81 BPM | ||
Dance Movements: II. Molto Vivo (for the woodwinds) | Philip Sparke, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 1 | 10B | 114 BPM |
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