Henry Purcell, Emmanuelle Haïm's 'Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 1: "The Queen of Carthage, whom we hate" (Sorceress) - "Ho ho ho" (Chorus)' came out on 2003. With Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 1: "The Queen of Carthage, whom we hate" (Sorceress) - "Ho ho ho" (Chorus) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #15. The popularity of Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 1: "The Queen of Carthage, whom we hate" (Sorceress) - "Ho ho ho" (Chorus) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 1: "The Queen of Carthage, whom we hate" (Sorceress) - "Ho ho ho" (Chorus) by Henry Purcell, Emmanuelle Haïm having a BPM of 165 with a half-time of 82 BPM and a double-time of 330 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dido and Aeneas / Act 3: "See the flags and streamers curling" | Henry Purcell, David Thomas, Elisabeth Priday, Sara Stowe, Academy of Ancient Music, Christopher Hogwood | A Major | 2 | 11B | 105 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Haste, haste to town this open field" (Belinda, Chorus) | Henry Purcell, Emmanuelle Haïm | D♭ Major | 2 | 3B | 124 BPM | ||
Requiem: Requiem: 5. Aria (A). Quid sum miser | Johann Christian Bach, Ruth Sandhoff, Akademie für Alte Musik Berlin, Hans-Christoph Rademann | F Minor | 0 | 4A | 77 BPM | ||
Intermedes de Xerxes: 3e Air pour les Docteurs, Frivelins, et Polichinelles | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 102 BPM | ||
Purcell : King Arthur : Act 1 "The white horse neigh'd aloud" [Bass, Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 97 BPM | ||
Giulio Cesare in Egitto HWV 17 / Atto primo: Recitativo "Sire, con Sesto, il figlio" - Live | George Frideric Handel, Charlotte Hellekant, Anne Sofie von Otter, Bejun Mehta, Alan Ewing, Guido Larisch, Michel Maldonado, Pascal Monteilhet, Jory Vinikour, Mirella Giardelli | B Major | 2 | 1B | 168 BPM | ||
Birthday Ode 1692 Long may she reign over this isle | The Sixteen | B Minor | 2 | 10A | 64 BPM | ||
Mozart: Mass in C Minor, K. 427: "Et incarnatus est" (Soprano I) | Wolfgang Amadeus Mozart, Louis Langrée, Le Concert d'Astrée, Natalie Dessay, Yves Castagnet, L Langree | C Minor | 0 | 5A | 112 BPM | ||
Stabat Mater: VII. Juxta crucem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Rinaldo / Act 1: Recitativo ed Accompagnato: Come a tempo giungesti | George Frideric Handel, Gerald Finley, Luba Orgonasova, Academy of Ancient Music, Christopher Hogwood | B♭ Major | 1 | 6B | 117 BPM |
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