"Chantefleurs et Chantefables: VII. L'alligator (The Alligator)" by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe was released on September 1, 2011. The duration of Chantefleurs et Chantefables: VII. L'alligator (The Alligator) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. Chantefleurs et Chantefables: VII. L'alligator (The Alligator)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe, Toby Spence, Christopher Purves's "Lutoslawski: Works for Voice and Orchestra" album is number 19 out of 21. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Chantefleurs et Chantefables: VII. L'alligator (The Alligator) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chantefleurs et Chantefables: VII. L'alligator (The Alligator) by Witold Lutosławski, Edward Gardner, BBC Symphony Orchestra, Lucy Crowe to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Danzas Argentinas, Op. 2: No. 3, Danza del gaucho matrero | Alberto Ginastera, Luca Sacher | C Major | 3 | 8B | 81 BPM | ||
Concerto for Orchestra: I. Intrada. Allegro maestoso | Witold Lutosławski, Finnish Radio Symphony Orchestra, Nicholas Collon | F Minor | 0 | 4A | 70 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale: Don Quixotes Tod | Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock | D Major | 0 | 10B | 83 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Variation 17. — | Sergei Rachmaninoff, Boris Giltburg, Brussels Philharmonic, Vassily Sinaisky | F♯ Major | 0 | 2B | 172 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Symphony No. 5, Op. 107, "Reformation": II. Allegro vivace | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Romeo and Juliet, Ballet Suite, Op. 64a, No. 2: III. Friar Laurence | Sergei Prokofiev, National Symphony Orchestra Washington, Mstislav Rostropovich | C Major | 0 | 8B | 104 BPM | ||
Walton: Violin Concerto: II. Presto capriccioso alla napolitana - Trio - Tempo I (Revised 1943 Version) | William Walton, Nigel Kennedy, André Previn, Royal Philharmonic Orchestra | F Major | 1 | 7B | 136 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Pictures at an Exhibition (Orch. M. Ravel): II. Il vecchio castello | Modest Mussorgsky, フランス国立リヨン管弦楽団, レナード・スラットキン | A♭ Major | 2 | 4B | 87 BPM |
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