"Walton: Violin Concerto: II. Presto capriccioso alla napolitana - Trio - Tempo I (Revised 1943 Version)" by William Walton, Nigel Kennedy, André Previn, Royal Philharmonic Orchestra was released on December 21, 1986. Since Walton: Violin Concerto: II. Presto capriccioso alla napolitana - Trio - Tempo I (Revised 1943 Version) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Walton: Violin Concerto & Viola Concerto by William Walton, Nigel Kennedy, André Previn, Royal Philharmonic Orchestra. The song's track number on the album is #2 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Walton: Violin Concerto: II. Presto capriccioso alla napolitana - Trio - Tempo I (Revised 1943 Version)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Walton: Violin Concerto: II. Presto capriccioso alla napolitana - Trio - Tempo I (Revised 1943 Version) by William Walton, Nigel Kennedy, André Previn, Royal Philharmonic Orchestra has a tempo of 136 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Walton: Violin Concerto: II. Presto capriccioso alla napolitana - Trio - Tempo I (Revised 1943 Version) being at 136 BPM, the half-time would be 68 BPM with a double-time of 272 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clear and gentle stream, Op.17, No.4 - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | F Major | 1 | 7B | 92 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Spitfire Prelude and Fugue: Fugue - 1994 Digital Remaster | William Walton, Philharmonia Orchestra | E Minor | 3 | 9A | 122 BPM | ||
The Seasons, Op. 67: XIV. Petit Adagio | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | A Major | 1 | 11B | 87 BPM | ||
Coronation Te Deum | William Walton, Gabrieli, Paul McCreesh | A Major | 3 | 11B | 174 BPM | ||
Piano Concerto in A minor, Op. 16: II. Adagio - Live | Edvard Grieg, Alice Sara Ott, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | D Major | 2 | 10B | 121 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM | ||
Three Romances for Violin and Piano, Op. 22: I. Andante molto | Clara Schumann, Esther Abrami, Iyad Sughayer | D♭ Major | 2 | 3B | 81 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM |
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