"5 Kurpian Songs, Op.75 (1999): Ciamna nocka, ciamna" by Henryk Górecki, Paul Hillier, Estonian Philharmonic Chamber Choir was released on November 7, 2005. The duration of 5 Kurpian Songs, Op.75 (1999): Ciamna nocka, ciamna is about 3 minutes long, at 3:07. Based on our data, "5 Kurpian Songs, Op.75 (1999): Ciamna nocka, ciamna" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 12 out of 15 in Baltic Voices 3 by Paul Hillier, Estonian Philharmonic Chamber Choir. Based on our statistics, 5 Kurpian Songs, Op.75 (1999): Ciamna nocka, ciamna's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 5 Kurpian Songs, Op.75 (1999): Ciamna nocka, ciamna by Henryk Górecki, Paul Hillier, Estonian Philharmonic Chamber Choir is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sospiri, Op. 70 | Edward Elgar, English Chamber Orchestra, Osian Ellis, Paul Goodwin | F Major | 0 | 7B | 113 BPM | ||
Spem In Alium (Tallis) | The King's Singers | B♭ Major | 2 | 6B | 138 BPM | ||
Pieśni Maryjne, Op.54: 1. Matko niebieskiego Pana (Mother of the Heavenly Lord) | Henryk Górecki, Los Angeles Master Chorale, Grant Gershon | B♭ Major | 1 | 6B | 133 BPM | ||
Lachrymae Antiquae | John Dowland, Kronos Quartet | A Minor | 0 | 8A | 104 BPM | ||
Asturiana | Manuel de Falla, Kim Kashkashian, Robert Levin | F Minor | 0 | 4A | 89 BPM | ||
Monteverdi: Madrigali, Libro VIII "Guerrieri et amorosi": No. 18, Lamento della ninfa, SV 163: "Amor, dicea" | Claudio Monteverdi, Christina Pluhar, Núria Rial, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, L'Arpeggiata | A Minor | 1 | 8A | 136 BPM | ||
Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
Mahler: Symphony No. 8, "Symphony of a Thousand": II. Finale Scene from Goethe's Faust, (l) "Alles Vergängliche" (Chorus Mysticus) | Gustav Mahler, Elizabeth Connell/Edith Wiens/Dame Felicity Lott/Trudeliese Schmidt/Nadine Denize/Richard Versalle/Jorma Hynninen/Hans Sotin/London Philharmonic Choir/Tiffin School Boys' Choir/London Philharmonic Orchestra/Klaus Tennstedt, Klaus Tennstedt, London Philharmonic Orchestra | E♭ Major | 2 | 5B | 71 BPM | ||
Requiem, Op. 9: I. Introit (1961 Version) | Maurice Duruflé, Stephen Cleobury, Choir of King's College, Cambridge, Orchestra of the Age of Enlightenment | F Major | 0 | 7B | 132 BPM | ||
Mein Herr und mein Gott | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | C Minor | 1 | 5A | 80 BPM |
Section: 1.6959316730499268
End: 1.702249526977539