Francesco Cavalli, Philippe Jaroussky's 'Cavalli: Il Giasone, Act 1: "Delizie, contenti" (Giasone)' came out on March 8, 2019. With this song being around four minutes long, at 3:49, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 24 in the song's album "Ombra mai fu - Francesco Cavalli Opera Arias". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Cavalli: Il Giasone, Act 1: "Delizie, contenti" (Giasone) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cavalli: Il Giasone, Act 1: "Delizie, contenti" (Giasone) by Francesco Cavalli, Philippe Jaroussky having a BPM of 112 with a half-time of 56 BPM and a double-time of 224 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée | B Minor | 3 | 10A | 100 BPM | ||
Sonata (Adagio) | Nicola Matteis, Gli Incogniti, Amandine Beyer | B Major | 1 | 1B | 53 BPM | ||
Dixit Dominus, HWV 232: 8. De torrente in via bibet | George Frideric Handel, Arleen Auger, Lynne Dawson, Orchestra of Westminster Abbey, Simon Preston | D Major | 4 | 10B | 77 BPM | ||
Ohimè Ch'Io Cado (Libro Nono) | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | F Major | 2 | 7B | 76 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Concerto 5 in A Minor, Op. 7: I. Vivace | Jean-Marie Leclair, Luis Otavio Santos, Les Muffatti, Peter Van Heyghen | D♭ Minor | 2 | 12A | 124 BPM | ||
Pergolesi: Stabat Mater: II. Cujus animam gementem | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | G Major | 1 | 9B | 103 BPM | ||
Trio Sonata in C Major, TWV 42:C2: I. Dolce | Georg Philipp Telemann, Erik Bosgraaf, Lucile Boulanger, Robert Smith, Alessandro Pianu | B Major | 0 | 1B | 94 BPM | ||
Le triomphe de l'amour, LWV 59: Air d'Apollon | Jean-Baptiste Lully, Café Zimmermann, Pablo Valetti | F Minor | 1 | 4A | 125 BPM |
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