Sofia Gubaidulina, Beatrice Rauchs's 'Sonata (1965): II. Adagio' had a release date set for March 11, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 50 in Best - Sofia Gubaidulina by Sofia Gubaidulina, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Sonata (1965): II. Adagio's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Sonata (1965): II. Adagio by Sofia Gubaidulina, Beatrice Rauchs is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Métaboles: I. Incantatoire | Henri Dutilleux, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg | D♭ Major | 1 | 3B | 74 BPM | ||
Seven Words (Sieben Worte) for Cello, bayan (accordion) and strings: VI. Es ist vollbracht | Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Mario Venzago, Gothenburg Symphony Orchestra | G Major | 0 | 9B | 127 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Pro et contra: I. — | Sofia Gubaidulina, NDR Radiophilharmonie, Johannes Kalitzke | G Major | 3 | 9B | 103 BPM | ||
Symphony-Concerto in E minor, Op. 125: I. Andante | Sergei Prokofiev, Christian Poltéra, Lahti Symphony Orchestra, Anja Bihlmaier | A Major | 2 | 11B | 160 BPM | ||
Vattendroppar, JS 216 | Jean Sibelius, Maja Bogdanovic, Daniel Rowland | B♭ Major | 1 | 6B | 175 BPM | ||
Fall of the Leaf: II. Vivace | Imogen Holst, Thomas Hewitt Jones | F Major | 1 | 7B | 142 BPM | ||
Sonatina | Morton Feldman, Marilyn Nonken, Stephen Marotto | B♭ Minor | 0 | 3A | 164 BPM | ||
Sieben Worte (1982): 4. Mein Gott, mein Gott, warum hast du mich verlassen? | Sofia Gubaidulina, Elsbeth Moser, Boris Pergamenschikow, Christoph Poppen, Munich Chamber Orchestra | D Major | 1 | 10B | 113 BPM |