"Le Corsaire: Pas de deux et Variations (interpolation for 1899 revival) - 1996 Remaster" by John Lanchbery, London Festival Ballet Orchestra, Terence Kern was released on June 2, 2008. Since Le Corsaire: Pas de deux et Variations (interpolation for 1899 revival) - 1996 Remaster is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 100 Best Ballet, so we believe that "Le Corsaire: Pas de deux et Variations (interpolation for 1899 revival) - 1996 Remaster" is a single. In terms of popularity, Le Corsaire: Pas de deux et Variations (interpolation for 1899 revival) - 1996 Remaster is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Corsaire: Pas de deux et Variations (interpolation for 1899 revival) - 1996 Remaster by John Lanchbery, London Festival Ballet Orchestra, Terence Kern is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Paulli: Pas de deux from "Flower Festival in Genzano" (adapted from Matthias Strebinger's "Pas de deux" for "Napoli" Ballet of Bournonville): No. 2, Adage | Edvard Helsted, Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | B♭ Major | 0 | 6B | 177 BPM | ||
Die Flamme von Paris (Flames of Paris) (arr. March): Act IV: Moderato: Men's Variation | Boris Vladimirovich Asafiev, March, Sofia National Opera Orchestra, Boris Spassov | A♭ Major | 1 | 4B | 95 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 2, Dance du coq et des poules | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | D Major | 4 | 10B | 164 BPM | ||
Adam: Giselle, Act 1: No. 5 Variation I | Adolphe Adam, Terence Kern, London Festival Ballet Orchestra | A Major | 2 | 11B | 77 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.1 in C (Presto) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 2 | 9B | 106 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM | ||
The Merry Widow, Act I, Scene 2: Scene Change into Ballroom - Entrance of Hanna (Arr. John Lanchbery and Alan Abbott) | Franz Lehár, John Lanchbery, Alan Abbott, Orchestra Victoria | F Major | 1 | 7B | 69 BPM |
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