Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony
George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich
Handel: Ode for St. Cecilia's Day
3:21 March 9, 2004
BPM
96
Key
A♭ Minor
Camelot
1A

Embed

Share Link

Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony - George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich Information

Acousticness
97%
Danceability
25%
Energy
3%
Instrumentalness
0%
Liveness
12%
Loudness
59%
Speechiness
5%
Valence
16%
Popularity
Loudness
-24.354 dB

Summary

"Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony" by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich was released on March 9, 2004. The duration of Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony is about 3 minutes long, at 3:21. Based on our data, "Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in George Frideric Handel's "Handel: Ode for St. Cecilia's Day" album is number 3 out of 13. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony BPM

We consider the tempo marking of Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony by George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich to be Andante (at a walking pace) because the track has a tempo of 96 BPM, a half-time of 48BPM, and a double-time of 192 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Ode for St. Cecilia's Day, HWV 76: Recitative: From harmony, from heav'nly harmony Key

This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Symphony No. 2 in A Major, Op. 2, Symphony No. 2 in A Major, Op. 2, "Birthday Ode": III. Presto AllegroWilliam Boyce, Aradia Ensemble, Kevin MallonA♭ Major14B181 BPM
Purcell : King Arthur : Air by William ChristiePurcell : King Arthur : AirWilliam ChristieG Minor16A0 BPM
Concerto in D Minor for Oboe, Strings and Continuo: II. Adagio by Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea MionConcerto in D Minor for Oboe, Strings and Continuo: II. AdagioAlessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea MionD♭ Minor112A68 BPM
Concerto for 2 Flutes in C Major, RV 533: II. Largo by Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas KraemerConcerto for 2 Flutes in C Major, RV 533: II. LargoAntonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas KraemerG Major29B178 BPM
Abdelazar Suite, Z. 570: VI. Air by Henry Purcell, Camerata Nordica, Terje TonnesenAbdelazar Suite, Z. 570: VI. AirHenry Purcell, Camerata Nordica, Terje TonnesenG Minor26A131 BPM
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano by Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachConcerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E PianoCologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian BachE♭ Major15B103 BPM
Concerto For Oboe In D Minor - Presto by Tafelmusik Baroque OrchestraConcerto For Oboe In D Minor - PrestoTafelmusik Baroque OrchestraD♭ Minor312A104 BPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
Concerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla Siciliana by Cologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio VivaldiConcerto For 4 Violins in B Minor, Op. 3, No. 10, RV 580 : II. Alla SicilianaCologne Chamber Orchestra, Renee Ohldin, Corinne Chapelle, Lucas Barr, Christine Pichlmeier, Antonio VivaldiF♯ Minor111A129 BPM
Mozart: Concerto for Flute and Harp in C Major, K. 299: II. Andantino by Wolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio AbbadoMozart: Concerto for Flute and Harp in C Major, K. 299: II. AndantinoWolfgang Amadeus Mozart, Emmanuel Pahud, Marie-Pierre Langlamet, Berliner Philharmoniker, Claudio AbbadoF Major07B106 BPM
ISRC
HKI199930903
Label
L-M Records/RCA Records

Section: 0.8059978485107422

End: 0.8093607425689697