Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso's 'Aida / Act 2: "Gloria all'Egitto"' came out on February 2, 1985. Since Aida / Act 2: "Gloria all'Egitto" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Verdi: Opera Choruses by Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso. The song's track number on the album is #5 out of 10 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Aida / Act 2: "Gloria all'Egitto" is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since Aida / Act 2: "Gloria all'Egitto" by Giuseppe Verdi, Chor der Staatsoper Dresden, Staatskapelle Dresden, Silvio Varviso has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Aida / Act 2: "Gloria all'Egitto" being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Der Freischütz, J. 277 / Act I: "Nein, länger trag' ich nicht die Qualen" - "Durch die Wälder, durch die Auen" | Carl Maria von Weber, Peter Schreier, Staatskapelle Dresden, Carlos Kleiber | G Major | 2 | 9B | 66 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
La traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Thomas Hampson, Diane Pilcher, Luigi Roni, Wiener Philharmoniker, Carlo Rizzi | D♭ Minor | 1 | 12A | 87 BPM | ||
Carmen, Act IV: No.25 Choeur : A la cuartos! (Marchands et Marchandes/Zuniga/Une marchande/Un bohémien) | Georges Bizet, Nicolas Cavallier, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | E Major | 0 | 12B | 79 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Renata Tebaldi, Orchestre National de l'Opéra de Monte-Carlo, Fausto Cleva | E Major | 1 | 12B | 66 BPM | ||
La forza del destino, Act II, Scene II: Madre, pietosa Vergine | Giuseppe Verdi, Dinara Alieva, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | D♭ Major | 3 | 3B | 76 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act II: Finale. "V vashem dome! V vashem dome!" | Pyotr Ilyich Tchaikovsky, Mirella Freni, Anne Sofie von Otter, Rosemarie Lang, Neil Shicoff, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM |
Section: 0.6319465637207031
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