"Zelenka: Laudate pueri: II. Quis sicut Dominus" by Jan Dismas Zelenka, Diana Damrau, Wolfgang Zerer, Riccardo Minasi, NDR Radiophilharmonie had its release date on November 4, 2022. The duration of This song is about 3 minutes long, at 3:26. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Diana Damrau, Riccardo Minasi, Richard Whilds, NDR Radiophilharmonie's "My Christmas" album is number 29 out of 35. On top of that, United Kingdom appears to be the country where this track was created. Zelenka: Laudate pueri: II. Quis sicut Dominus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Zelenka: Laudate pueri: II. Quis sicut Dominus by Jan Dismas Zelenka, Diana Damrau, Wolfgang Zerer, Riccardo Minasi, NDR Radiophilharmonie to be Adagio (slowly with great expression) because the track has a tempo of 71 BPM, a half-time of 36BPM, and a double-time of 142 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture No. 2 in D major: 3. Presto | Johann Christian Bach, Academy of Ancient Music, Christopher Hogwood | D♭ Major | 2 | 3B | 125 BPM | ||
Concerto VIII in C Minor: IV. Adagio | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | F Major | 2 | 7B | 109 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Kuhnau: Magnificat in C Major: V. Chorus. "Quia fecit" | Johann Kuhnau, Hermann Max, Das Kleine Konzert, Rheinische Kantorei | D♭ Major | 2 | 3B | 109 BPM | ||
Missa Divi Xaverii, ZWV 12: Qui tollis I | Jan Dismas Zelenka, Collegium Vocale 1704, Collegium 1704, Vaclav Luks | F Major | 0 | 7B | 138 BPM | ||
Missa in D-Dur, KV194: Agnus Dei | Chor und Orchester von St. Augustin, Klemens Sander, Cornelia Horak, Andreas Pixner, Martina Steffl, Alexander Kaimbacher | D Major | 1 | 10B | 99 BPM | ||
Sistite sidera, coeli motus otiamini: No. 6, Aria, "Praestet tellus encomia florum" | Rinaldo Alessandrini, Concerto Italiano, Sonia Tedla | A Major | 3 | 11B | 93 BPM | ||
Kyrie, RV 587: Kyrie eleison | Antonio Vivaldi, Eve Rachel McLeod, Jennifer Ens Modolo, Aradia Ensemble, Kevin Mallon | B Minor | 2 | 10A | 112 BPM | ||
Deitatis Majestatem: I. Deitatis Majestatem | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, André Morsch | C Minor | 2 | 5A | 75 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM |