Cristofano Malvezzi, Musica Reservata, Michael Morrow, John Beckett's ' "Sesto Intermedio: Dal Vago E Bel Sereno" was released on its scheduled release date, January 1, 1998. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 50 in Early Music Festival by Early Music Consort Of London, David Munrow, Musica Reservata, Michael Morrow. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Sesto Intermedio: Dal Vago E Bel Sereno's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Sesto Intermedio: Dal Vago E Bel Sereno by Cristofano Malvezzi, Musica Reservata, Michael Morrow, John Beckett is Moderato (at a moderate speed), since this song has a tempo of 120 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
XXVII. Er sprach zu mir (Martin Luther, Nun freut euch, lieben Christen g'mein) | Heinrich Schütz, Capella De La Torre, Bavarian Radio Chorus, Katharina Bauml, Florian Helgath | G Major | 1 | 9B | 93 BPM | ||
Morir non può il mio core | Maddalena Casulana, The Sixteen, Harry Christophers | G Major | 1 | 9B | 131 BPM | ||
Circé, Prologue Scene 2: Gigue pour les Nymphes et les Dieux des eaux | Henri Desmarets, Boston Early Music Festival Orchestra, Robert Mealy | C Major | 1 | 8B | 100 BPM | ||
Es taget vor dem Walde / Fortuna | Ludwig Senfl, Consort Mirabile | E♭ Minor | 1 | 2A | 81 BPM | ||
Te lucis ante terminum I | Thomas Tallis, Owain Park, The Gesualdo Six | A♭ Minor | 0 | 1A | 95 BPM | ||
Membra Jesu Nostri, BuxWV 75: Concerto [Ad latus] | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Maria Keohane, Hanna Bayodi, Carlos Mena, Jeffrey Thompson, Matthias Vieweg | C Minor | 2 | 5A | 90 BPM | ||
La Pellegrina: Music for the Wedding of Ferdinando de' Medici and Christine de Lorraine, Princess of France Florence 1589: Sinfonia I | Cristofano Malvezzi, Paul Van Nevel | F Major | 2 | 7B | 93 BPM | ||
Lieti solcando il mare, a 7 | Cristofano Malvezzi, Capriccio Stravagante Consort Voices, Capriccio Stravagante, Collegium Vocale Gent, Skip Sempé | C Major | 3 | 8B | 115 BPM | ||
On ahdas täällä olla, Sl 153 | Mieskuoro Weljet | D Minor | 3 | 7A | 118 BPM | ||
Te Deum "de Lyon": XI. Te ergo quæsumus famulis tuis subveni | Henri Desmarets, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Major | 4 | 6B | 106 BPM |