Let 'Em Eat Cake: Comes the Revolution
George Gershwin, Michael Tilson Thomas, Jack Gilford, New York Choral Artists
Michael Tilson Thomas Conducts Gershwin
2:44 1976
BPM
112
Key
F♯ Minor
Camelot
11A

Embed

Share Link

Let 'Em Eat Cake: Comes the Revolution - George Gershwin, Michael Tilson Thomas, Jack Gilford, New York Choral Artists Information

Acousticness
95%
Danceability
45%
Energy
14%
Instrumentalness
0%
Liveness
60%
Loudness
68%
Speechiness
5%
Valence
44%
Popularity
Loudness
-19.41 dB

Summary

George Gershwin, Michael Tilson Thomas, Jack Gilford, New York Choral Artists made "Let 'Em Eat Cake: Comes the Revolution" available on 1976. The duration of Let 'Em Eat Cake: Comes the Revolution is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Let 'Em Eat Cake: Comes the Revolution's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 5 out of 90. On top of that, United States appears to be the country where this track was created. In terms of popularity, Let 'Em Eat Cake: Comes the Revolution is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

Let 'Em Eat Cake: Comes the Revolution BPM

We consider the tempo marking of Let 'Em Eat Cake: Comes the Revolution by George Gershwin, Michael Tilson Thomas, Jack Gilford, New York Choral Artists to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.

Let 'Em Eat Cake: Comes the Revolution Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Kinderszenen, Op. 15: No. 10 Fast zu ernst by Robert Schumann, Wilhelm KempffKinderszenen, Op. 15: No. 10 Fast zu ernstRobert Schumann, Wilhelm KempffG Major09B69 BPM
16 Waltzes, Op. 39: 15. Waltz in A Flat by Johannes Brahms, Nelson Freire16 Waltzes, Op. 39: 15. Waltz in A FlatJohannes Brahms, Nelson FreireA♭ Major04B72 BPM
Hungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2 by Franz Liszt, Vladimir HorowitzHungarian Rhapsody No. 2 in C-Sharp Minor, S. 244/2Franz Liszt, Vladimir HorowitzD♭ Major33B80 BPM
Ritual Fire Dance by Manuel de Falla, Arthur RubinsteinRitual Fire DanceManuel de Falla, Arthur RubinsteinE Minor29A150 BPM
Sailing By by Ronald Binge, Slovak Radio Symphony Orchestra, Ernest TomlinsonSailing ByRonald Binge, Slovak Radio Symphony Orchestra, Ernest TomlinsonF Major07B80 BPM
Marche slave, Op. 31, TH 45 by Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York PhilharmonicMarche slave, Op. 31, TH 45Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York PhilharmonicB♭ Minor43A109 BPM
Liebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannst by Franz Liszt, Daniel BarenboimLiebestraum No. 3 in A-Flat Major, S. 541: Notturno III: O lieb, so lang du lieben kannstFranz Liszt, Daniel BarenboimA♭ Major04B139 BPM
Clarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo: Allegretto by Carl Maria von Weber, Charles Neidich, Orpheus Chamber OrchestraClarinet Concerto No. 1 in F Minor, Op. 73: III. Rondo: AllegrettoCarl Maria von Weber, Charles Neidich, Orpheus Chamber OrchestraF Major17B147 BPM
Otto e mezzo by Orchestre de la Suisse RomandeOtto e mezzoOrchestre de la Suisse RomandeG Major19B75 BPM
Woodland Sketches, Op. 51: No. 1: To a Wild Rose by Edward MacDowell, James BarbagalloWoodland Sketches, Op. 51: No. 1: To a Wild RoseEdward MacDowell, James BarbagalloA Major011B87 BPM
ISRC
USSM19931621
Label
L-M Records/RCA Records

Section: 0.8124115467071533

End: 0.8187971115112305