"Vau. Et egressus est a filia Sion: I. Vau. Et egressus est" by Manuel Cardoso, El León de Oro, Peter Phillips had its release date on February 1, 2019. The duration of This song is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Vau. Et egressus est a filia Sion: I. Vau. Et egressus est's duration is considered a little bit shorter than the average duration of a typical track. The song is number 16 out of 34 in Amarae morti: Lamentations & Motets from Renaissance Europe by El León de Oro, Dominique Phinot, Peter Phillips, Orlande de Lassus, Nicolas Gombert, Manuel Cardoso, Tomás Luis de Victoria, Cristobal de Morales, Giovanni Pierluigi da Palestrina. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Vau. Et egressus est a filia Sion: I. Vau. Et egressus est's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vau. Et egressus est a filia Sion: I. Vau. Et egressus est by Manuel Cardoso, El León de Oro, Peter Phillips is Allegro (fast, quick, and bright), since this song has a tempo of 125 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Anim Zemirot - Pt. II | Jacob Mühlrad, Swedish Radio Choir | E♭ Major | 1 | 5B | 115 BPM | ||
Missa Prolationum: Kyrie II | Johannes Ockeghem, L'ultima parola, Axelle Bernage, Bernd Oliver Fröhlich, Olivier Coiffet, Guillaume Olry | F Major | 1 | 7B | 76 BPM | ||
Mass in G Minor: II. Gloria | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | C Major | 1 | 8B | 71 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Der Mensch lebt und bestehet nur eine kleine Zeit | Max Reger, Vienna Chamber Choir, Michael Grohotolsky | C Major | 1 | 8B | 97 BPM | ||
Caligaverunt Oculi Mei | Arautos do Evangelho | E Minor | 0 | 9A | 81 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Heavenly Father | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 108 BPM | ||
Liturgy of St. John Chrysostom: No. 5, Antiphon III (The Beatitudes) | Benedict Sheehan, The Saint Tikhon Choir | D♭ Major | 2 | 3B | 129 BPM | ||
Il Bianco e Dolce Cigno | The New York Madrigal Singers, Erik-Peter Mortensen & David Schofield | E♭ Major | 1 | 5B | 131 BPM | ||
Sheppard: Missa Cantate - 1a. Gloria in excelsis Deo | John Sheppard, The Tallis Scholars, Peter Phillips | G Major | 2 | 9B | 87 BPM |